Saturday, 19 March 2016

Teen Modelling Portfolio - Look Out World - Here I Come.

When is the best time to do your modelling portfolio, when you are ready of course and the studio is the best place for it. Why the studio? Well as I sit here typing away I have one eye out the window looking at the weather; how will this afternoons location shoot go? Hopefully no rain! Of course this is never a problem when you choose to shoot in the studio, and it is very convenient if it is your first ever photoshoot; as this one was for Sonali. All these shots and the comp card below are part of her/my Look Out World - Here I come - Pro Modelling Portfolio package. We had a great time working through her five looks with wonderful hair and make-up by Emily-Rose. These photo shoots take about four hours in total and our H&MU artist is on set the whole time to make changes to the hair and make-up and for touch ups as we go. Now that's a true Professional photo shoot!
Black and white, Leotard and ballet shoes, studio portfolio shoot, dance, modelling, portrait; by Kent Johnson.
Casual fashion meets sports and fitness on this young woman’s teen fashion modelling portfolio shoot by Kent Johnson.
Denim play-suit with  cut away fish-net top over sports top/bra. Professional studio model portfolio shoot by Kent Johnson, Sydney Australia.
Casual black and white headshot.
Sportswear or hair modelling? Take your pic! Black and white studio shot by Kent Johnson.
Casual sports/fashion/fitness shot. Black on white in black and white. Modelling shot by Kent Johnson, Sydney.
Sonali, My Modelling Portfolio by Kent Johnson Photography.
Stretching out for a full length shot, where casual fashion meets sports and fitness, teen fashion modelling portfolio shoot by Kent Johnson.
Dance leotard mid shot, studio portfolio shot in black and white, dance, modelling, portrait; by Kent Johnson.
After five, knitwear bodycon dress; Look Out World - Here I Come, professional modelling portfolio photo shoot in Sydney by Kent Johnson.
Mid shot, Denim play-suit with  cut away fish-net top over sports top/bra. Professional studio model portfolio shoot by Kent Johnson, Sydney Australia.
Free BONUS, 'Agency Digital' with every portfolio shoot with Kent Johnson Photography.
Free BONUS, 'Agency Digitals' with every portfolio shoot.
A modelling comp card, part of the  Look Out World - Here I Come modelling portfolio package, designed and photographed by fashion photographer Kent Johnson; Sydney, Australia.

Book your portfolio shoot today!
www.kentjohnsonphotography.com.au/09Modelling/ModellingPortfolios.htm

Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Tuesday, 12 January 2016

What makes a Studio Modelling Portfolio so Exciting!

Just what is it that makes creating a model portfolio in the studio so exciting? Well I am truly glad you ask because I been have thinking about why I enjoy photographing model portfolios so much and why I think the studio is such a special place to do so. Many of the model portfolio shoots I create are often the models very first photoshoot. And while yes, that first photography session could just as easily - perhaps - take place on location; the studio adds something of the fun of fashion, the magic of photography and the excitement of a completely new experience. After all, as Australian's we have all been to the beach, the park, walked down an old back lane.. but the studio? Now that really is something special and new!
Composite of nine modelling portfolio headshots by Kent Johnson, photographed in the studio, Sydney Australia.

It's like a first taste of real life as a model. The huge white room, the big mirror with all the lights where the hair and make-up artist weaves their magic and brings their expertise creating the different looks, and in the studio there are power points too! The styling table with shoes and accessories, clothing racks hung with the dresses, jackets, pants, all for the shoot. It's pretty exciting! You won't need to worry if its raining or if the sun is too strong. If you are a little shy, that's OK, you won't have a group of strangers gathering, watching and wondering what is going on; as often happens when shooting on location. I like that we have the uninterrupted time and space to work on amazing pictures for you, of you, the best pictures you have ever seen. It's a real privilege to be part of that experience. Are you ready to give it a go ?

Modelling comp card, all shots made in the studio by Kent Johnson Photography, Sydney Australia.
Between Shots with Hannah Patricia from Beauty and the Geek. Studio modelling portfolio shoot by Kent Johnson.
Approved Agency Model - photoshoot, headshot, in the studio, Sydney Australia, by Kent Johnson.
Black and White; Studio swimwear shot of Hannah Patricia from Beauty and the Geek photographed by Kent Johnson.
Fitness modelling portfolio shoot in the studio. Picture with text block, What makes a studio modelling portfolio so exciting. Photography by Kent Johnson.
Daylight and studio flash used to ceate a unique look for a modelling portfolio headshot. Photo by Kent Johnson.
Casual men's style, studio portfolio shoot by Kent Johnson.
Fitess shoot in the studio, black and white headshot. By Kent Johnson Sydney, Australia.


Kent Johnson, Sydney, Australia.
0433 796 863

Sunday, 3 January 2016

Why this Photographer Closed his Instagram Account(s).

On December 31, New Years Eve 2015 - I bit the bullet and closed all three of my IG accounts at once, and here's why, including five things I learnt about being a photographer online. I was a late IG adopter and my first account was @Kent_Johnson_Photography started late in 2013, say October-ish. The second @Model_Portfolios was begun nearly a year later to bring a more direct focus on one of my main photography areas, photographing modelling portfolios.. Then about six months ago, I added a third @street.fashion.sydney to accompany my popular art and fashion blog Street Fashion Sydney. And so then there were three. But why would I need three IG accounts, couldn't I "streamline" and do everything I wanted with just the one?


Way back in 2006 I got started with my first Web 2.0 account on Flickr, a precursor to IG which was famously the very "first" photo sharing application. At first I didn't think it would be worth it. I had my very own website! But after viewing a friends travel pictures and getting a taste of the groups and different peoples work on Flickr. I decided to give it a go, joined up, started to post my own shots; and soon became completely addicted. And I know I was addicted as back in 06 and 07 Flickr would often go down with server problems and I would freak out! OK not exactly freak out but it always seemed much more serious than it really was. I had real friendships with these people online that I would also meet up with in real life. Conversations took place beneath photos; continuing across different photos. And, although Flickr could be about just about anything.. my group of friends were all about and there for the Photography. Yes capital P Photography. And Flickr was world-wide and ran 24/7 (except when it was down). I am pretty sure I pulled a few all-nighters looking at and commenting on peoples work; and Flickr is where I first experienced high volumes of picture viewing; any-time I could manage the time, on my computer, I was on Flickr.

Flickr really was great fun; before Facebook came along, and a lot of people quickly jumped ship to that 'new' and more flexible platform. Those people didn't seem to be bothered by the poor job FB did on image resizing, or the constant changes to how things worked.

I stayed with Flickr and along the way I learnt five valuable key lessons about being a photographer online.

  1. New = First..The first thing I learnt about posting on Flickr or any timeline-blog is that your most recent picture is always top of the page. Unlike a website where you choose your order; you have no control over keeping on-top the picture you hope viewers will see first. 
  2. More = Less.. Pictures in a series deliver greatly diminishing views. Meaning the first picture in a series gets the most views and by the time you show the fifth or sixth - forget it. (So don't leave the best for last..) New New New is the mantra of picture sharing sites. 
  3. Blogs Matter.  If you want to show a series as a story, start a blog. I started my blogs so I could show sets of my pictures on one page to try and get around this phenomenon of diminishing views, and at least I feel like people are seeing the whole set, although I can't say so for sure.. It seems to work. I just show the key picture on Flickr and link to the blog.
  4. Less = More! You should only do one thing not many. It won't matter if your urban landscape abstract shadow shot is as good as your high fashion picture or your street life photo.. Any change in style and subject mater will confuse and alienate your audience. The minimalists won't like people pictures and visa versa making it very hard to grow your following.
  5. More = MORE! You need to post daily or with a clear regularity if you want to grow your network; and the work must be consistent. Which is a very big creative call; quantity & quality, especially when they should all be the same only different!

Reason #4 it should be obvious is the reason I ended up with three IG accounts. Although I had developed a reasonable following on IG with the original Kent Johnson account I was not getting any inquiries about professional work, or messages from PR's about attending events; inquiries were all being driven by the blogs and my website. But I kept hearing about how awesome IG was and people getting work etc.. so I decided I need to specialise. I had made the Flickr mistake again, I was being too diverse in the style of picture I was showing. I needed more followers, more likes, I needed to narrow it down; and focusing on modelling portfolios would be a good test. Within a couple of weeks of launching the new IG profile I had done a paid beach fitness shoot with a a very nice male instructor via IG. Then nothing. Nothing at all. Still the views were increasing slowly, and followers were increasing with each post, slowly. But my best liked photos would top out at around 60. Not exactly earth shattering! A couple of months back there was one headshot that freakishly did over 500 likes over a couple of days! Then back to same same..

So now I had two accounts, one I could happily post whatever I liked to and some people would like them, say 30 to 50 likes with a following of 600ish; and one I would post modelling shots, headshots, fashion tests or the occasional fashion shot on and for 300 to 400 followers get 30 to 50 likes..

Top bloggers, super bloggers get 10's of THOUSANDS of likes on each shot. That is of course why they are super bloggers and I decided that OK, (commercial) photographers are not super popular on IG, no really they are not.. But if I want to get noticed at ALL I needed some serious following and liking going on. On the new account I would #tag hard. I would like a LOT of peoples pictures. Like the same #Tags as I was using, as soon as I posted. Nothing! Or so close to nothing for an hour or two of solid work it just seemed impossible that this could ever work.

Regardless of the work and mediocre level of success.. as my Street Fashion Sydney (SFS) blog continued to do well I wondered if perhaps its less elite, more people based approach and imagery might work on Instagram, it was worth a try at least, and then if things didn't work out..

It kicked off well, no struggle to gain followers or likes and the new SFS was pretty enjoyable and was growing along similar lines to Model Portfolios. It was not receiving the same level of likes, 30 to 40 was good and again 50 or 60 (rare) would be great! Which lets face it it isn't. All three IG accounts seemed to tap-out broadly speaking at the same level. And I had a continual nagging feeling that the IG Gold Rush was long over; the Super Bloggers had bagged all the followers and the Hot Golden LIKES; and the rest of us poor wannabe's were standing in cold water sifting dirt looking for a grain of hope! It wasn't enough, it was NEVER going to be enough.

So on New Years Eve I pulled the plug on Instagram. On waking the next day I was a little apprehensive in a morning-after a big night, "what have I done?" kind of way, but it has quickly worn off. I looked through my websites referring sites statistics; both my blogs deliver click through to my website daily, twitter blasts return click through to my site, IG delivered only 3, that's three click throughs in December, and as best I could tell NO click through at all in October/November. IG is not really interested in helping people get to your website; and it seemed that the consumers of my IG pictures were not interested in looking at my website either.

So here's the commercial riddle of Instagram. Super Blogger X is commissioned by Mega Brand Y to flog some stuff with Photographer Z doing the shots. All three players then post the same shot on their respective IG accounts. Super Blogger X gets the routine 30k+ likes KAPOW! (2k in the very first measurable time bracket). Mega Brand Y using the same shot but not the same following get 5k in likes. Not too shabby.. Photographer Z who admittedly is NOT Terry Richardson.. and does not have the same following receives 275 "Likes" for the very same photo, that he/she actually took!

So that's the riddle of Instagram, and it's a fun social media riddle to puzzle over. And it can be very tough for commercial photographers.. Pick your own super blogger and check out an IG campaign they have done. Typically all the major players will be @ or #tagged and be playing along. So you can check it out yourself. Dreaming the living can be tougher than people 'living the dream' may ever suspect.

Will I be back to IG? After all for two years I have been telling people "well you just have to be in that space".  Lets not start a second riddle about if you are on IG and no one knows you are there..
If I can work out the answer to the first riddle, I may be back. But in the meantime; I am going to work on being a photographer, work on projects, work on my creativity and work on the areas that work for me, my blogs. And I still do Flickr; sure it's not what it was, it's different now but what isn't. As people keep telling me about IG in a way I don't quite get, Flickr is still whatever you make it to be.


Book your photoshoot DIRECT today.
Kent Johnson,
Sydney, Australia.
0433 796 863

Wednesday, 9 December 2015

My Equipment and a Photography Portfolio for Shotkit!

A few week back, no a few months back.. Mark from Shotkit approached me to see if I would like to be part of his website that highlights photographers work; and the photography equipment, the 'shotkit' they use to produce their photographs. Now while I have largely shied away from all sorts of gear-porn, I do love the shotkit website and what Mark has done with it. And having subscribed I was enjoying seeing the photography and the kits of photographers from all around the world. So in a nutshell I said yes to the request to take part, did the kit shots; AND a pretty fabulous story about the kit(s) I use; my writing really is improving all the time, even if I do say so myself! I also put to together a  much larger selection of pictures for Shotkit than they were ever going to be able to run, but hey you gotta give it a go.. The post went live a few weeks back; so now I can reveal the complete series of shots I put together for the first time. SO if you want to READ all about it; you need to click this link to check out the story of my equipment too. Go on, I know you want to; and it's well worth subscribing while you are there.
Flatlay photo of my Nikon kit for commercial/fashion/portrait - ShotKit
So here's the selection which includes my Street Fashion Sydney -personal work - photo kit and shots as well. It was a great exersize putting the shots together and the story behind the equipment, I highly recommend it; and as an added bonus I have a succinct portfolio of my work for showing on my tablet at last! Thanks Mark, thanks Shotkit, it's been a lot of fun. http://shotkit.com/kent-johnson/
 Flatlay shot - Street Fashion Sydney - Fujifilm X-Pro1 photography kit.
 Street Fashion Sydney - Fujifilm X-Pro1 photography kit.

http://shotkit.com/kent-johnson/

Book you photoshoot DIRECT today.
Kent Johnson,
Sydney, Australia.
0433 796 863

Monday, 5 October 2015

Beautiful as Neon, Fashion Handbags in a Classic Car Garage.

And the real star of the pictures, model and former Miss Universe Australia Renae Ayris (and those vintage 1959 Cadillacs). Renae goes from a glamorous biker chic look through to evening charm and something a little more casual. A fabulous fashion campaign photoshoot for marketing fashion accessories for the overseas market.
Renae Ayris, biker chic, fashion handbag accessories Sydney photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris behind the wheel, biker chic, Sydney fashion photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris, evening wear and fashion handbag accessories in a Sydney photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris, Black leather jacket and bag, fashion photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris, casual style behind the wheel, fashion story photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Photography, Art Direction, Post-Production by Kent Johnson.
Book you photoshoot DIRECT with Kent today.
Kent Johnson,
Sydney, Australia.
0433 796 863

Wednesday, 16 September 2015

School Holidays - The Perfect Modelling Portfolio Time!

It's spring in Sydney, school holidays are about to be on us again and it's the perfect time for your young lady or young man to come into the studio and produce their first modelling portfolio. Even if you are not sure you want to become a model but love how models look in magazines or on websites, this is a great way for you to get your own look on camera with the model/magazine feel. I have three modelling portfolio packages here, all produced in a great studio with fabulous hair and make-up and styling and posing assistance. All you need is you! These shots are from a recent 'Lets Get Started' portfolio photo-shoot. What will your pictures look like. Call or email Kent today to book your modelling portfolio - holiday spaces are strictly limited. Kent kent@artcommunication.com.au 0433 796 863. Book Now for Bonus Agency style 'Digital/Polaroids with each package.

Headshot from 'Lets Get Started' modelling portfolio package by Kent Johnson.

Teenage modelling portfolio B&W headshot from, 'Lets Get Started' modelling portfolio package by Kent Johnson.

Sport and fitness look, Teenage modelling portfolio package by Kent Johnson.

Bonus digital polaroid, Teenage modelling portfolio package by Kent Johnson.
Bonus - Agency style Digital/Polaroids.

Teenage modelling portfolio full length shot by Kent Johnson, Sydney, Australia.

Teenage modelling portfolio, smiling, black and white mid shot shot by Kent Johnson, Sydney, Australia.

Teenage modelling portfolio, black and white evening dress, three quarter length. By Kent Johnson, Sydney, Australia.

Teenage modelling portfolio, colour version, evening dress, three quarter length. By Kent Johnson, Sydney, Australia.

Teenage modelling portfolio, black and white full length shot by Kent Johnson, Sydney, Australia.


Book NOW for School Holidays.

Kent Johnson,
Sydney, Australia.
0433 796 863