Showing posts with label Social Media. Show all posts
Showing posts with label Social Media. Show all posts

Monday, 25 June 2018

Before You Press The Button

Before you press the button you should know what the subject should look like. And at the very least or perhaps in companion to before you press.. when you hit the editing desk you really really should know what you want the picture to look like.

I'm not even thinking about old school Ansel Adams visualisation of the subject. I'm talking - look at what you are looking at, what do you see, is it how you think it should look?

This may be at the heart of problem with people using the digital TV screen on the back of the phone/camera. What problem? The device shows what's there right. Well, er yes and well kind of no; and yes but.. Even though the screen shows what and more importantly how the scene will be rendered(ish) in 2D. The photographer - the person using the camera needs to have an understanding of what they are looking at and how the elements work together - on that front, even with digital, nothing has changed.

In that video in the link above Adams talks about that moment when he realised how he could take a picture the way he saw it, not just how it looked, how he could create a picture to tell the story of his vision (visualisation) of how it looked.
This is very important.

That is a landscape picture; but if you look at the contemporary landscape of fashion photography. You can see we are being swamped by pictures of a dress. But no understanding of how a dress looks at its best, no story, no vision. And while people may like the pictures with a, Thumbs Up or little Hearts. It doesn't mean they really love it. People love stories, they love something, with a photographers vision. If your pictures haven't got that, they have very little at all.

Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Thursday, 29 March 2018

Photography - Fashion Campaigns and Look Books are Not the Same

I get the feeling that in 2019 a lot of fashion (& photography) is still going to be getting short shrift as energies continue to be channelled into eCommerce look books and IG-anything-goes pictures at the expense of strong and distinctive branding for fashion labels. When I was growing up, looking through the front section of a European or American edition of super fat copies of the VOGUEs of the world was where it was all at. The first chunk of the big magazines were packed solid with expensive and totally fabulous fashion campaigns. Then as now, fashion was an extremely competitive market and if you didn't have pictures to make your target audience - the people you wanted to be your customers swoon with desire - well the advertiser on the next page certainly would. These amazing campaigns (and they actually were amazing back when the word really meant... Amazing!) were not always so much centred on the fashion; as on the life and aspirations of that person the label was trying to seduce. And it was a seduction, no mistake about it. Astounding locations, impossibly beautiful models; clever studio sets and photography. Whatever it took to grab and HOLD your attention. That's what it was all about. And nothing about the art of seduction has changed!
Hero B&W Headshot of Victoria in top hat with black lace veil for a fashion campaign - photographed on location by Kent Johnson, Sydney, Australia.

This series of pictures were made for a client who was doing small ranges with small runs, and all made here in Australia. Which was very bold, expensive; and gave them a lot of control over the designs and manufacturing, and they were winning awards right from the start. Shardi the designer was also quite particular with her photography without having a large budget. So when we did finally shoot together it was exciting but also a little frustrating too. I have to say, that without a doubt; not only where her designs unique, her sense of styling and feel for the woman of her label were quite exceptional! As for myself; I can't help imagining just what we could have done with these images if the budget had been there. We had a united vision and I believe we really did have the shots. These pictures are all completely fresh edits, most of them never published before.

Fashion isn't selling clothes, it's selling a fantasy to sell the clothes, the make-up, the perfume. Maybe you can't have that million dollar life, but when you buy that dress, that outfit; you are transformed and you really do feel like a million dollars. I know I do! I think this is the true story of fashion. Not what the dress looks like in a scientific, perfect look book way. But the way the fashion makes you feel; which can't be told in a look book picture. Same with runway pictures from the fashion circus - these are still trade show events, the inspired idea yes - but not the wearing of the clothes, the real-unreal world of buying and wearing fashion. So my heart aches when I look online and don't see a life I want to live, nothing of a life I desire and aspire to. I just see clothes, not fashion. One rack one page, looking more or less - well almost exactly the same as the rest.. I no longer see any difference, or the glamour of fashion; but I haven't forgotten it and I certainly haven't forgotten how to photograph it. You don't necessarily need a huge budget.. the dream, my fashion dream is still alive.
Fashion campaign photography - A classic warm toned black and white fashion photograph of a model in a striped dress holding a rose - photographed on location by Kent Johnson, Sydney, Australia.

Fashion campaign photography - Victoria in top hat, tulle ankle 'socks' skirt and bustier; classic warm toned black and white fashion photograph - photographed on location by Kent Johnson, Sydney, Australia.
Taking our time to create the mood.

Looking like and angel in a red dress with stiff ruffle butterfly sleeve, black leatherette leg gators - photographed on location by Kent Johnson, Sydney, Australia.A folded blue ballon skirt dress with side points, front epaulettes with four brass buttons on the bodice - photographed in black and white on location by Kent Johnson, Sydney, Australia.
Shardi styling Victoria, fashion catalogue photoshoot on location, Sydney, Australia - photographed on location by Kent Johnson.
Shardi styling Victoria - on location, Sydney, Australia.
Mid shot B&W fashion photograph, leatherette and lace layered dress with short mutton sleeves and top hat - photographed on location by Kent Johnson, Sydney, Australia.
Fashion photography of a Bias detailed bodice with ruffled skirt dress, pull over leatherette sleeves, model reading a book while walking - photographed on location by Kent Johnson, Sydney, Australia.
Mid shot B&W photograph of Victoria wearing a leatherette bodice dress with layered two tone lace skirt and top hat - photographed on location by Kent Johnson, Sydney, Australia.A fashion camapign headshot of Victoria looking back like and angel in a red dress with stiff ruffle butterfly sleeve - fashion photograph on location by Kent Johnson, Sydney, Australia.
Like what you see? Drop me a line to talk about your next fashion photography project - Call Kent on 0433 796 863 or Email kent@artcommunication.com.au
Fashion Campaigns, eCommerce and Look Books are not the same. "When I was growing up, looking through the front section of a European or American edition of super fat copies of the VOGUEs of the world was where it was all at. The first chunk of the big magazines were packed solid with expensive and totally fabulous fashion campaigns. Then as now, fashion was an extremely competitive.."
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Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Monday, 30 October 2017

Find & Work with Fashion Blogger Photographers in Sydney & the World

How do you find a professional photographer to help you take your blogging to the next level? One who you can collaborate with and afford to take pictures for your Blog? Here in Sydney, or anywhere else for that matter. It's a tricky question, and one that with over 10 years experience as both a photographer and blogger; I am more than qualified to share some thoughts and tips on. Helping you find and get the most from working with photographers, right here in Sydney or the rest of the world. And that includes me!
Title Image - Finding & Working with Fashion Blog Photographers in Sydney & the World - Article and photography by Kent Johnson.
Other than my own work here and on Street Fashion Sydney, I have been working with my partner Vivienne Shui on her blogs vivalaViv and now, luxury travel site White Caviar Life; where we have both learn't from each other; about leveraging up the quality of your work, collaborating and how to get the most from your creative vision. Just scroll down to learn more -
Fashion blogger Vivienne Shui in a stunning Paris hotel room night shot with the Eiffel Tower in the background. Photographed by Kent Johnson.

It's Time to Trade Up!

By now you have no doubt already asked many favours of camera owning friends, significant others and questioned just about everyone you know about the making and how-to of getting better pictures. Then comes the time when although you have the ideas; the pictures are just not coming out how you would like. It's time to start exploring the world of professional photographers and photography.
First stop; the internet!
 Blogging is about being social, it's about developing friendships, so is photography too, but the way to find a photographer is through search; possibly why you are here right now! For search you will find Google is your new best friend. In the search box try, Your City - Sydney - Fashion or Lifestyle - Photographer.. and up will come some results (looks like I'm currently on page 2..) Then you need to start doing your research. Look carefully at the websites, take a detailed look. What sort of 'fashion' does this photographer do; does it fit my vision now - or where I want to my blog to go? If the answer is no; it's onto the next website; yes, bookmark it until you have seen a few more. You can also search on Instagram using #tags, #Sydneyphotographer #Photoshoot etc; check out fellow local bloggers @credits to see who they are shooting with too. One useful tip about looking at any photographers work, is deciding if it is consistent or not. If it's a bit all-over-the-place on their website, they may not be ready for your hard earned cash. Keep looking until you find a style that suits and consistency of work across their portfolio.
Studio collaboration with Margaret Zhang - Shine by Three; Photography by Kent Johnson.
Studio collaboration with Margaret Zhang - Shine By Three
When you have seen enough websites or IG pages and found a few you like, its time to make contact. The first question to ask via email or even txt is if the photographer does blogger collaborations or has a special package? Unlike my model portfolio packages I don't have a set blogger package yet.. Mostly because different bloggers need different things - so at the moment, just ask me and let me know your needs and I will come up with a custom package just for you. Some photographers already have special blogger packages ready to go. But before you email any photographer about photoshoots, and this contact is usually best by email; here are some important things to think about.
Lifestyle pictures for social media and marketing by Kent Johnson.
Be realistic about your needs. Plan your shoots carefully around the pictures your blog post will need. Sounds obvious I know.. but time is money; and simply asking a Pro to take endless shots just hoping to get something right (might do ok..) but is unlikely to deliver the best results. How many outfits and how many types of shot? Full length and details are different pictures and while you can sometimes crop a detail from a bigger picture.. again, the best results happen when you know what you require beforehand; shoes, yes; full length, tick; earrings detail + necklace; that's a beauty shot - good, got it, done!
vivalaViv fashion blog photographs, blogger photographer collaboration with Vivienne Shui and Sydney photographer Kent Johnson.
My partner started her first blog with a rule to only ever use one shot per blog post - I know even I was shocked. Of course these days she uses more but how many do you need - Need to tell the story? Front, back, side, close-ups, a long shot? Maybe some scenery to set the mood too? OK it is not always possible to know exactly the number and best looks before the shoot, but if you have a plan; you are going to be more effective as a team coming up with the gold standard of shot you really need. Put together an outline and let the photographer know the details in writing before the shoot.
Reclining woman in a hat, fashion blog photographs, blogger and photographer collaboration, Vivienne Shui with Sydney photographer Kent Johnson.
Ask for usage, not copyright. What! That's right and it's a biggie. A professional photographer is not going to sign over their image copyright to you for the kind of money we are most likely talking about here. But that is OK because you don't need the copyright, all you need is a usage agreement. So don't let copyright close down the conversation, think about what you need to use the pictures for. Your Instagram, Pintrest, Your Blog of course! But that's really it. If you are doing some thing with a brand, discuss this upfront. If it's simple cross tagging that's probably OK - if it's a campaign on the sly or by stealth.. your new friend the professional photographer can possibly help you cut a better deal; without anyone misrepresenting themselves. For many bloggers, this will be a non-issue; just ask that you can use the shots as Editorial on your site and social media platforms - confirm by email, and you will be good to go.
How to find the right photographer for your Blog? Photograph of White caviar Life blogger Vivienne Shui in Paris at night with the Eiffel Tower, Photo by Kent Johnson.

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So you have done your research, found the right photographer - you know what you want to shoot and where. It's time to make contact. Good luck with you blogging; I hope these tips help you to take your blog to the next level. And if you are in Sydney or coming to Sydney and need a photographer, please think about working with me - we may just be a blogger - photographer collaboration made in heaven!

Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Wednesday, 7 September 2016

Wild Women, Hot Fashion Styling, Fabulous Bags!

What to you get when you mix two beautiful models styled Biker Chick Chic with Gothic overtones and plenty of black leather and silver studded handbags? You get a hot fashion  accessories marketing campaign with plenty of strong pictures and lots of options for publishing on Social Media. These are shot with both studio strobes and daylight studio; the warmer toned are the full studio flash shots. Product still life images were also created using the props from the shoot (old STROBE lighting consoles!) Just a small taste of the large quantity of quality fashion imagery this photo shoot produced! Book your Fashion Accessories photo shoot today! 0433 796 863
Black and white photograph modelling small studded bag. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.
Daylight studio, moody shot. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.
Sexy style modelling tank bag. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Details, Handbags, product still life photography, with vintage STROBE props. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Rock 'N' Roll! Model and 'air guitar bag' Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Moody daylight studio modelling shot. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Looking wild! Social media, marketing shots. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Studio flash - Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

More wildness - Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Modelling biker handbag, classic black and white studio photography. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Handbags, product still life photography, with vintage STROBE props. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Out there! Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Handbags, product still life photography, with vintage STROBE props. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Modelling handbags, colour close up. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Book your Fashion Accessories photo shoot today!
www.kentjohnsonphotography.com.au/

Kent Johnson, Sydney, Australia.
0433 796 863

Sunday, 24 July 2016

YES Really - Short Fashion & Beauty Videos Work!

A while back when meeting with a client about their next photoshoot. I was asked what I thought about having someone along to do video too. I can't deny I was not very enthusiastic. In my experience having a videographer on set changes the flow of the shoot, and we would be working very hard to shoot a whole campaign with available light; in not a lot of time. So I was concerned about the logistics of additional set-ups and also breaks in the flow of the shoot depending on the videographer's approach. I did however hatch an alternative plan. I would shoot some short video snippets myself and cut it together afterwards as part of the overall package. Risky? Not really as we were only after quite simple and short video. I decided to use my old G10 point and shoot which I knew did a fine job on the focus and exposure and had a zoom lens so plenty of options.
 This approach delivered some positive, and I think unique benefits.
  • Firstly I never needed to break the flow of the photoshoot as I was able to video my own point of view (POV).
  • Secondly I didn't need to worry about the models not knowing where to look, which camera was the important one. It was mine, it was always my camera. And again, this allowed for a seamless flow of creative energy between the photography and the talent.
  • Third, we had fantastic efficiency time wise, and were able to produce everything we were aiming for in the time frame available to us.
  • One director one POV allowed for seamless integration with the the stills photographs in an overall sense, all material working together visually. And from a production sense where I was able to add-in slide stills sequences into the motion video for additional dramatic effect.

Was the client happy with the product I delivered? Yes they were. However what has surprised me most, when going back over the clients Instagram (IG) account recently is how effective the short videos have been. They were delivering three to six times the engagement of the various still images used on their account. This really was a surprise as from my ongoing research into video viability I have noted that many 'major' videos tend to languish on a label or stores own youTube channel gaining very little direct engagement - this includes high budget productions - as well as simple ones like ours.

Reactions to a short beauty and fashion film on Instagram - Filmed by Kent Johnson.

So in a nutshell, I think short social media videos can work; they can blend very well with you main campaign and can deliver greater engagement with your social media audience on core Instagram and Facebook social media accounts. And I have upgraded to Full HD equipment which is still very portable and I am looking forward to future fashion and beauty projects that combine simple motion videos with shooting the stills. And on another note, it was great to see this client recently change her personal Facebook avatar over to one of my beauty shots from out very first shoot together nearly 2 years ago - great shots just keep on giving. Which is exactly what I design them to do!


Beauty shot used as avatar on Facebook. Photographed by Kent Johnson.

Book your beauty or fashion photo shoot today!
www.kentjohnsonphotography.com.au/

Kent Johnson, Sydney, Australia.
0433 796 863

Sunday, 3 January 2016

Why this Photographer Closed his Instagram Account(s).

On December 31, New Years Eve 2015 - I bit the bullet and closed all three of my IG accounts at once, and here's why, including five things I learnt about being a photographer online. I was a late IG adopter and my first account was @Kent_Johnson_Photography started late in 2013, say October-ish. The second @Model_Portfolios was begun nearly a year later to bring a more direct focus on one of my main photography areas, photographing modelling portfolios.. Then about six months ago, I added a third @street.fashion.sydney to accompany my popular art and fashion blog Street Fashion Sydney. And so then there were three. But why would I need three IG accounts, couldn't I "streamline" and do everything I wanted with just the one?


Way back in 2006 I got started with my first Web 2.0 account on Flickr, a precursor to IG which was famously the very "first" photo sharing application. At first I didn't think it would be worth it. I had my very own website! But after viewing a friends travel pictures and getting a taste of the groups and different peoples work on Flickr. I decided to give it a go, joined up, started to post my own shots; and soon became completely addicted. And I know I was addicted as back in 06 and 07 Flickr would often go down with server problems and I would freak out! OK not exactly freak out but it always seemed much more serious than it really was. I had real friendships with these people online that I would also meet up with in real life. Conversations took place beneath photos; continuing across different photos. And, although Flickr could be about just about anything.. my group of friends were all about and there for the Photography. Yes capital P Photography. And Flickr was world-wide and ran 24/7 (except when it was down). I am pretty sure I pulled a few all-nighters looking at and commenting on peoples work; and Flickr is where I first experienced high volumes of picture viewing; any-time I could manage the time, on my computer, I was on Flickr.

Flickr really was great fun; before Facebook came along, and a lot of people quickly jumped ship to that 'new' and more flexible platform. Those people didn't seem to be bothered by the poor job FB did on image resizing, or the constant changes to how things worked.

I stayed with Flickr and along the way I learnt five valuable key lessons about being a photographer online.

  1. New = First..The first thing I learnt about posting on Flickr or any timeline-blog is that your most recent picture is always top of the page. Unlike a website where you choose your order; you have no control over keeping on-top the picture you hope viewers will see first. 
  2. More = Less.. Pictures in a series deliver greatly diminishing views. Meaning the first picture in a series gets the most views and by the time you show the fifth or sixth - forget it. (So don't leave the best for last..) New New New is the mantra of picture sharing sites. 
  3. Blogs Matter.  If you want to show a series as a story, start a blog. I started my blogs so I could show sets of my pictures on one page to try and get around this phenomenon of diminishing views, and at least I feel like people are seeing the whole set, although I can't say so for sure.. It seems to work. I just show the key picture on Flickr and link to the blog.
  4. Less = More! You should only do one thing not many. It won't matter if your urban landscape abstract shadow shot is as good as your high fashion picture or your street life photo.. Any change in style and subject mater will confuse and alienate your audience. The minimalists won't like people pictures and visa versa making it very hard to grow your following.
  5. More = MORE! You need to post daily or with a clear regularity if you want to grow your network; and the work must be consistent. Which is a very big creative call; quantity & quality, especially when they should all be the same only different!

Reason #4 it should be obvious is the reason I ended up with three IG accounts. Although I had developed a reasonable following on IG with the original Kent Johnson account I was not getting any inquiries about professional work, or messages from PR's about attending events; inquiries were all being driven by the blogs and my website. But I kept hearing about how awesome IG was and people getting work etc.. so I decided I need to specialise. I had made the Flickr mistake again, I was being too diverse in the style of picture I was showing. I needed more followers, more likes, I needed to narrow it down; and focusing on modelling portfolios would be a good test. Within a couple of weeks of launching the new IG profile I had done a paid beach fitness shoot with a a very nice male instructor via IG. Then nothing. Nothing at all. Still the views were increasing slowly, and followers were increasing with each post, slowly. But my best liked photos would top out at around 60. Not exactly earth shattering! A couple of months back there was one headshot that freakishly did over 500 likes over a couple of days! Then back to same same..

So now I had two accounts, one I could happily post whatever I liked to and some people would like them, say 30 to 50 likes with a following of 600ish; and one I would post modelling shots, headshots, fashion tests or the occasional fashion shot on and for 300 to 400 followers get 30 to 50 likes..

Top bloggers, super bloggers get 10's of THOUSANDS of likes on each shot. That is of course why they are super bloggers and I decided that OK, (commercial) photographers are not super popular on IG, no really they are not.. But if I want to get noticed at ALL I needed some serious following and liking going on. On the new account I would #tag hard. I would like a LOT of peoples pictures. Like the same #Tags as I was using, as soon as I posted. Nothing! Or so close to nothing for an hour or two of solid work it just seemed impossible that this could ever work.

Regardless of the work and mediocre level of success.. as my Street Fashion Sydney (SFS) blog continued to do well I wondered if perhaps its less elite, more people based approach and imagery might work on Instagram, it was worth a try at least, and then if things didn't work out..

It kicked off well, no struggle to gain followers or likes and the new SFS was pretty enjoyable and was growing along similar lines to Model Portfolios. It was not receiving the same level of likes, 30 to 40 was good and again 50 or 60 (rare) would be great! Which lets face it it isn't. All three IG accounts seemed to tap-out broadly speaking at the same level. And I had a continual nagging feeling that the IG Gold Rush was long over; the Super Bloggers had bagged all the followers and the Hot Golden LIKES; and the rest of us poor wannabe's were standing in cold water sifting dirt looking for a grain of hope! It wasn't enough, it was NEVER going to be enough.

So on New Years Eve I pulled the plug on Instagram. On waking the next day I was a little apprehensive in a morning-after a big night, "what have I done?" kind of way, but it has quickly worn off. I looked through my websites referring sites statistics; both my blogs deliver click through to my website daily, twitter blasts return click through to my site, IG delivered only 3, that's three click throughs in December, and as best I could tell NO click through at all in October/November. IG is not really interested in helping people get to your website; and it seemed that the consumers of my IG pictures were not interested in looking at my website either.

So here's the commercial riddle of Instagram. Super Blogger X is commissioned by Mega Brand Y to flog some stuff with Photographer Z doing the shots. All three players then post the same shot on their respective IG accounts. Super Blogger X gets the routine 30k+ likes KAPOW! (2k in the very first measurable time bracket). Mega Brand Y using the same shot but not the same following get 5k in likes. Not too shabby.. Photographer Z who admittedly is NOT Terry Richardson.. and does not have the same following receives 275 "Likes" for the very same photo, that he/she actually took!

So that's the riddle of Instagram, and it's a fun social media riddle to puzzle over. And it can be very tough for commercial photographers.. Pick your own super blogger and check out an IG campaign they have done. Typically all the major players will be @ or #tagged and be playing along. So you can check it out yourself. Dreaming the living can be tougher than people 'living the dream' may ever suspect.

Will I be back to IG? After all for two years I have been telling people "well you just have to be in that space".  Lets not start a second riddle about if you are on IG and no one knows you are there..
If I can work out the answer to the first riddle, I may be back. But in the meantime; I am going to work on being a photographer, work on projects, work on my creativity and work on the areas that work for me, my blogs. And I still do Flickr; sure it's not what it was, it's different now but what isn't. As people keep telling me about IG in a way I don't quite get, Flickr is still whatever you make it to be.


Book your photoshoot DIRECT today.
Kent Johnson,
Sydney, Australia.
0433 796 863

Wednesday, 16 September 2015

Creative Photographer for the City of Sydney..

You know this just might have been my dream job for the next year or two. Regular income, regular shoots for clients(??) A 40 hour week (well so they said). All you had to do was apply. Well no actually you had to tender for the role - but don't worry you won't need to work out how much to charge us, we have 80K for the role and its all yours. You just have to do your own Super, pay your insurances, indemnify the City against anything that might go wrong along the way, waiver all rights to the images, may be used for international marketing purposes, you may have to meet short deadlines, the hours may be outside office ours, etc etc. OK maybe not the dream job I had been dreaming of; not for that sort of money and I have serious doubts the job can be done in 40 hours a week; well maybe occasionally, and that's without any solid briefs to go by. Good point; how to decide if it's a year of grip-and-grin event work (which would be about about triple the 80K at least in the commercial market if you had the hours) or some sort of even more profitable commercial work. 80K, you aren't looking so good; and its not really a job; you get "embedded" with the council. At least it's Sydney not Iraq!!!

So I decided not to apply for my dream job, but I did think it would be a good exercise to put together a presentation of Love You Sydney photographic work. After all I have been shooting my personal project Street Fashion Sydney since 2008 and have been invited to lots of great fashion & marketing events, and like everyone else I have done my of share grip and grin shoots too over the years. But what would the panel be looking for? Apparently "MORE than just documentation" "creative" "photography". Hell I reckon that's my main problem, I have been a little too creative for way too long; and I feel like I haven't even gotten started! So from over 300 Street Fashion Sydney blog posts, and a few shots that have never been seen before here's the portfolio that might have, or might not have put me on the short list. BUT If YOU like what you SEE - I'm here in Sydney, I am still freelancing, and I am taking bookings direct right now.
Better call Saul? Hell No, call me! kent@artcommuniation.com.au 0433 796 863

Gaffa day yacht race on Sydney harbour. Photography by Kent Johnson.
Hot dogs at a book launch in Paddington Sydney - Photography by Kent Johnson.
Man with native flowers at Newtown festival. Photography by Kent Johnson.
Miss Earth Australia contestants. Photography by Kent Johnson.
Fashion designer at installation of her work at SCAF. Photography by Kent Johnson.
Mohawk hair at Newtown festival. Photography by Kent Johnson.
Art party crown, art month Sydney at laneway bar after-party Darlinghurst. Photography by Kent Johnson.
Poster for Marrickville Sydney Urban Photography exhibition. Photography by Kent Johnson.
Crowd waiting to see Miranda Kerr in Martin Place during VFNO. Photography by Kent Johnson.
Andreas Ottensamer 'Yellow Lounge' Sydney with 'The Faders' & Alex Raineri. Photography by Kent Johnson.
CROMA the Australian Ballet at Sydney Opera House. Photography by Kent Johnson.
Miranda Kerr VFNO Martin Place with a crowd of fans. Photography by Kent Johnson.
Actors at the Sydney Film festival. Photography by Kent Johnson.
Actor at the Sydney Film festival. Photography by Kent Johnson.
International Fleet day on Sydney Harbour. Photography by Kent Johnson.
Blue room with Sydney Harbour Bridge behind at Vivid Sydney. Photography by Kent Johnson.
The famous Coke sign in Kings Cross and a strangly fitting person standing in front of it in matching red items. Photography by Kent Johnson.
Selfie time at a fashion party. Photography by Kent Johnson.
Crowning Miss Earth Australia. Photography by Kent Johnson.
Watson & Watson with bloggers after MBFWA. Photography by Kent Johnson.
Front row at a fashion show MBFWA. Photography by Kent Johnson.
Happy fashion designers at a successful launch party. Photography by Kent Johnson.
Exclusive STOLI Vodka launch party. Photography by Kent Johnson.
Models backstage at MBFWA. Photography by Kent Johnson.
Débutante Ball at the Four season Sydney, families dancing together. Photography by Kent Johnson.

Kent Johnson,
Sydney, Australia.
0433 796 863

Selected from the 300+ Street Fashion Sydney blog posts in no particular order of importance!
http://streetfashionsydney.blogspot.com.au/2015/08/wolftress-we-are-warriors-vip-launch.html
http://streetfashionsydney.blogspot.com.au/2013/08/andreas-ottensamer-yellow-lounge-sydney.html
http://streetfashionsydney.blogspot.com.au/i-saw-jimmy-barnes-at-china-heights.html
http://streetfashionsydney.blogspot.com.au/2015/04/matiny-ng-new-schiaparelli-of-geometric.html
http://streetfashionsydney.blogspot.com.au/2014/11/and-winner-is-ganton-man-at-shirt-bar.html
http://streetfashionsydney.blogspot.com.au/2015/02/art-sniffers-new-trend.html
http://streetfashionsydney.blogspot.com.au/2013/09/the-social-party-at-pelicano-david.html
http://streetfashionsydney.blogspot.com.au/2013/08/andreas-ottensamer-yellow-lounge-sydney.html
http://streetfashionsydney.blogspot.com.au/2012/11/street-style-photographing-newtown.html
http://streetfashionsydney.blogspot.com.au/2013/02/ben-quilty-after-afghanistan-art.html
And the First but not of course anywhere near the best!