Showing posts with label Marketing. Show all posts
Showing posts with label Marketing. Show all posts

Tuesday, 28 May 2019

Male Modelling and Stressed Denim, Menswear Fashion Photography - Sydney Australia

Studio & location content creation and campaign shots for jeans label Gallivant. These shorts were made for the launch a new jeans label, to open doors and land distributors. We had UK model Mark from Viviens and he was absolutely fantastic and has an amazing attitude toward his modelling work. Thanks Mark, you rock! And thanks to Gallivant too; it was quite a wonderful shoot. Grooming was provided by Lisa Sciberras.

Mens jeans Black and White Branding fashion shot in the studio. Photography by Kent Johnson, Sydney Australia.
Mens jeans, a colour branding and marketing fashion shot in the studio. Photography by Kent Johnson, Sydney Australia.
An action headshot, menswear branding and marketing fashion shot in the studio. Photography by Kent Johnson, Sydney Australia.
Mens black jeans photographed in black and white - Branding fashion shot in the studio. Photography by Kent Johnson, Sydney Australia.
Men's bleached jeans photographed in black and white - Branding fashion shot in the studio. Photography by Kent Johnson, Sydney Australia.
Men's bleached jeans photographed in black and white - Branding fashion shot on location, basketball court with skateboard. Photography by Kent Johnson, Sydney Australia.
Men's bleached jeans photographed in black and white - Branding fashion shot on location. Photography by Kent Johnson, Sydney Australia.

Ready to book your photoshoot, simply call or email me now!

Book Me Here
Kent Johnson, Sydney, Australia.
0433 796 863

Thursday, 29 March 2018

Photography - Fashion Campaigns and Look Books are Not the Same

I get the feeling that in 2019 a lot of fashion (& photography) is still going to be getting short shrift as energies continue to be channelled into eCommerce look books and IG-anything-goes pictures at the expense of strong and distinctive branding for fashion labels. When I was growing up, looking through the front section of a European or American edition of super fat copies of the VOGUEs of the world was where it was all at. The first chunk of the big magazines were packed solid with expensive and totally fabulous fashion campaigns. Then as now, fashion was an extremely competitive market and if you didn't have pictures to make your target audience - the people you wanted to be your customers swoon with desire - well the advertiser on the next page certainly would. These amazing campaigns (and they actually were amazing back when the word really meant... Amazing!) were not always so much centred on the fashion; as on the life and aspirations of that person the label was trying to seduce. And it was a seduction, no mistake about it. Astounding locations, impossibly beautiful models; clever studio sets and photography. Whatever it took to grab and HOLD your attention. That's what it was all about. And nothing about the art of seduction has changed!
Hero B&W Headshot of Victoria in top hat with black lace veil for a fashion campaign - photographed on location by Kent Johnson, Sydney, Australia.

This series of pictures were made for a client who was doing small ranges with small runs, and all made here in Australia. Which was very bold, expensive; and gave them a lot of control over the designs and manufacturing, and they were winning awards right from the start. Shardi the designer was also quite particular with her photography without having a large budget. So when we did finally shoot together it was exciting but also a little frustrating too. I have to say, that without a doubt; not only where her designs unique, her sense of styling and feel for the woman of her label were quite exceptional! As for myself; I can't help imagining just what we could have done with these images if the budget had been there. We had a united vision and I believe we really did have the shots. These pictures are all completely fresh edits, most of them never published before.

Fashion isn't selling clothes, it's selling a fantasy to sell the clothes, the make-up, the perfume. Maybe you can't have that million dollar life, but when you buy that dress, that outfit; you are transformed and you really do feel like a million dollars. I know I do! I think this is the true story of fashion. Not what the dress looks like in a scientific, perfect look book way. But the way the fashion makes you feel; which can't be told in a look book picture. Same with runway pictures from the fashion circus - these are still trade show events, the inspired idea yes - but not the wearing of the clothes, the real-unreal world of buying and wearing fashion. So my heart aches when I look online and don't see a life I want to live, nothing of a life I desire and aspire to. I just see clothes, not fashion. One rack one page, looking more or less - well almost exactly the same as the rest.. I no longer see any difference, or the glamour of fashion; but I haven't forgotten it and I certainly haven't forgotten how to photograph it. You don't necessarily need a huge budget.. the dream, my fashion dream is still alive.
Fashion campaign photography - A classic warm toned black and white fashion photograph of a model in a striped dress holding a rose - photographed on location by Kent Johnson, Sydney, Australia.

Fashion campaign photography - Victoria in top hat, tulle ankle 'socks' skirt and bustier; classic warm toned black and white fashion photograph - photographed on location by Kent Johnson, Sydney, Australia.
Taking our time to create the mood.

Looking like and angel in a red dress with stiff ruffle butterfly sleeve, black leatherette leg gators - photographed on location by Kent Johnson, Sydney, Australia.A folded blue ballon skirt dress with side points, front epaulettes with four brass buttons on the bodice - photographed in black and white on location by Kent Johnson, Sydney, Australia.
Shardi styling Victoria, fashion catalogue photoshoot on location, Sydney, Australia - photographed on location by Kent Johnson.
Shardi styling Victoria - on location, Sydney, Australia.
Mid shot B&W fashion photograph, leatherette and lace layered dress with short mutton sleeves and top hat - photographed on location by Kent Johnson, Sydney, Australia.
Fashion photography of a Bias detailed bodice with ruffled skirt dress, pull over leatherette sleeves, model reading a book while walking - photographed on location by Kent Johnson, Sydney, Australia.
Mid shot B&W photograph of Victoria wearing a leatherette bodice dress with layered two tone lace skirt and top hat - photographed on location by Kent Johnson, Sydney, Australia.A fashion camapign headshot of Victoria looking back like and angel in a red dress with stiff ruffle butterfly sleeve - fashion photograph on location by Kent Johnson, Sydney, Australia.
Like what you see? Drop me a line to talk about your next fashion photography project - Call Kent on 0433 796 863 or Email kent@artcommunication.com.au
Fashion Campaigns, eCommerce and Look Books are not the same. "When I was growing up, looking through the front section of a European or American edition of super fat copies of the VOGUEs of the world was where it was all at. The first chunk of the big magazines were packed solid with expensive and totally fabulous fashion campaigns. Then as now, fashion was an extremely competitive.."
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Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Monday, 26 December 2016

The Stove might be Terrific but it won't deliver Fantastic Pictures.

There is a famous anecdote about understanding creativity that still does the rounds in photography circles. The story is usually attributed to Sam Haskins of Cowboy Kate fame; he is being greeted by the host who is a great fan of his work and it's told like this.. "A photographer went to a socialite's party in New York. As he entered the front door, the host said ‘I love your pictures - they’re wonderful; you must have a fantastic camera.’ He said nothing until dinner was finished, then on leaving said to the host ‘That was a wonderful dinner; you must have a terrific stove." Continues after illustration.
Photograph of a photo of coffee pots on a stove with a coffee pot - illustration for the article, The Stove might be Terrific but it won't deliver Fantastic Pictures.
Now there is nothing new in the flawed logic that it is the camera that makes the picture, even though the camera itself is an inanimate object with no mind of its own.. And that is as true of today's highly programmed digital cameras as it was of whatever film camera Sam may have chosen to create his iconic pictures with. I think we can all agree it's the chef that makes the meal, not the stove after all and the same goes for the camera; it's the photographer that makes the pictures.

So what caused this old photography anecdote to pop back into my mind? On the one hand I have been reading a fascinating book about how our brain really works, how we think and how we perceive the outside world - the world we think we see. In a nutshell we all see a lot less than we assume we do, and the brain is very very good at filling in the visual gaps on the fly.. So that's one part of why I am thinking about Sam.. And then there is the growth of online web sites for booking photography services; with the one I came across most recently referring to itself as the UBER of Photography. This site also prominently featured the stoves, I mean the cameras the photographer will make your pictures with. And I reckon brains are busy filling in some very large gaps and thinking that the camera makes the work - it doesn't.

On the surface these online photography booking systems seem attractive because they attempt to make photography into a fixed commodity, like a taxi trip from A to B or buying a new stove. Simplistic price points and deliverables (number of shots - hours worked) give an illusion of choice and that one has control. A final fixation on the camera (just one part of a photographer's tool kit) is an easy point of reference. No really it's an amateurs most obvious point of photographic reference, much easier than understanding the nature of the photoshoot itself. "What camera do you use? Nikon or Canon.." Not that it probably matters anyway. All in all you have something that feels like it should be all you need to know to take control of your marketing, and at a price point you can choose for yourself. It's a trap!

Which brings me back to how our brains work. Now I am no neuroscientist, nor am I a psychologist with a degree in marketing. I can however tell you that when I go to a life drawing group and put pencil to paper, my eyes and brain tell me I am doing well; until I need to join the last lines together to complete the picture. At that late point in time, unless I have been practising regularly I find out I am not so good a judge of what I thought I saw and what I put down on paper after all.

My brain filled in the gaps for me, but in the end, I have a gap I cannot fill, the drawing is imperfect! This is why I practice my photography every day. If not on commercial jobs, then on personal projects or just photographing things that interest me. This is also why I went to art school and assisted photographers - back in the day - who were much better than me. So I could learn to see what was really there, to reduce the brain-filled-gaps with what is really there - and see what is not! To learn to see creatively and develop a vision for my craft as a professional photographer.

While cameras may be a commodity; photography never will be. There are just too many variables. And as the saying goes, "if you are not sure where you are going, you might end up somewhere else." This can be true of photography. So thrill of the unknown journey aside.. when it comes to choosing a photographer, take a good look at their portfolio or website; keep an eye out for consistency; if you don't know what you are looking at, or for, enlist specialised help - editors or designers. When you find a photographer with the photographic vision that suits you. Give them a call or send them an email, I can assure you, they will be very happy to hear from you; and you will be making the best decision you can to get the most fantastic pictures possible!

Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Wednesday, 7 September 2016

Wild Women, Hot Fashion Styling, Fabulous Bags!

What to you get when you mix two beautiful models styled Biker Chick Chic with Gothic overtones and plenty of black leather and silver studded handbags? You get a hot fashion  accessories marketing campaign with plenty of strong pictures and lots of options for publishing on Social Media. These are shot with both studio strobes and daylight studio; the warmer toned are the full studio flash shots. Product still life images were also created using the props from the shoot (old STROBE lighting consoles!) Just a small taste of the large quantity of quality fashion imagery this photo shoot produced! Book your Fashion Accessories photo shoot today! 0433 796 863
Black and white photograph modelling small studded bag. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.
Daylight studio, moody shot. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.
Sexy style modelling tank bag. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Details, Handbags, product still life photography, with vintage STROBE props. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Rock 'N' Roll! Model and 'air guitar bag' Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Moody daylight studio modelling shot. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Looking wild! Social media, marketing shots. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Studio flash - Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

More wildness - Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Modelling biker handbag, classic black and white studio photography. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Handbags, product still life photography, with vintage STROBE props. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Out there! Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Handbags, product still life photography, with vintage STROBE props. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Modelling handbags, colour close up. Biker Chick Chic with Gothic overtones fashion accessories, marketing and adverting photography Sydney.

Book your Fashion Accessories photo shoot today!
www.kentjohnsonphotography.com.au/

Kent Johnson, Sydney, Australia.
0433 796 863

Sunday, 24 July 2016

YES Really - Short Fashion & Beauty Videos Work!

A while back when meeting with a client about their next photoshoot. I was asked what I thought about having someone along to do video too. I can't deny I was not very enthusiastic. In my experience having a videographer on set changes the flow of the shoot, and we would be working very hard to shoot a whole campaign with available light; in not a lot of time. So I was concerned about the logistics of additional set-ups and also breaks in the flow of the shoot depending on the videographer's approach. I did however hatch an alternative plan. I would shoot some short video snippets myself and cut it together afterwards as part of the overall package. Risky? Not really as we were only after quite simple and short video. I decided to use my old G10 point and shoot which I knew did a fine job on the focus and exposure and had a zoom lens so plenty of options.
 This approach delivered some positive, and I think unique benefits.
  • Firstly I never needed to break the flow of the photoshoot as I was able to video my own point of view (POV).
  • Secondly I didn't need to worry about the models not knowing where to look, which camera was the important one. It was mine, it was always my camera. And again, this allowed for a seamless flow of creative energy between the photography and the talent.
  • Third, we had fantastic efficiency time wise, and were able to produce everything we were aiming for in the time frame available to us.
  • One director one POV allowed for seamless integration with the the stills photographs in an overall sense, all material working together visually. And from a production sense where I was able to add-in slide stills sequences into the motion video for additional dramatic effect.

Was the client happy with the product I delivered? Yes they were. However what has surprised me most, when going back over the clients Instagram (IG) account recently is how effective the short videos have been. They were delivering three to six times the engagement of the various still images used on their account. This really was a surprise as from my ongoing research into video viability I have noted that many 'major' videos tend to languish on a label or stores own youTube channel gaining very little direct engagement - this includes high budget productions - as well as simple ones like ours.

Reactions to a short beauty and fashion film on Instagram - Filmed by Kent Johnson.

So in a nutshell, I think short social media videos can work; they can blend very well with you main campaign and can deliver greater engagement with your social media audience on core Instagram and Facebook social media accounts. And I have upgraded to Full HD equipment which is still very portable and I am looking forward to future fashion and beauty projects that combine simple motion videos with shooting the stills. And on another note, it was great to see this client recently change her personal Facebook avatar over to one of my beauty shots from out very first shoot together nearly 2 years ago - great shots just keep on giving. Which is exactly what I design them to do!


Beauty shot used as avatar on Facebook. Photographed by Kent Johnson.

Book your beauty or fashion photo shoot today!
www.kentjohnsonphotography.com.au/

Kent Johnson, Sydney, Australia.
0433 796 863

Monday, 11 April 2016

Tween to Teen Fashion - Look-book & Branding Photography

They say to never work with children or animals; and yet, many of the most fun experiences in life and memorable pictures are with kids or pets, or even kids with pets! Well I have photographed fashion lingerie and luxury swimwear with poodles, blogger vivalaViv with Holly the very cute and fluffy Pomeranian, but I had never until this fashion assignment worked with kids. Well portraits yes but certainly not with youngsters as fashion models. In fact it was the first time on a photoshoot for all the girls except Charlie, (left just below and most outgoing) for whom I had made a casting portfolio for, photographing on location. So here we were, two teens and two tweens; two mums about 12 or so outfits and a four hour studio shoot. You can read more about the shoot from the designers perspective here on their blog post called Lights Camera Vision! (Thanks for the kind words).

The shoot went smoothly, the girls had a great time and from a technical/performance point of view, there was very little to do by way of post processing due to the careful set up for the white background, studio lighting arrangement. As a result, these pictures below are completely un-retouched, the RAW files have been put through a simple automated adjustment to bring up the background a wee tad more, and I find the RAW converted files are always a bit crisper too! And for these girls I think a half day on set was just right, the energy and focus stayed mostly on track and we were 'done' before anyone got bored. So that's my first 'kids' fashion shoot done and dusted, and now I am looking forward to my kids fashion assignment. Looking to photograph your Teen kids or toddlers fashion range? Call or email me, kent@artcommunication.com.au Sydney, 0433 796 863.

Four girls, studio white background, Tween to Teen Fashion - Look-book & Branding Photography.

Friendship and flowers, Tween to Teen Fashion - Look-book & Branding Photography

Teen Fashion in the studio with two models - Look-book & Branding Photography

Fun and pulling funny faces, AKA keeping it fresh! Tween to Teen Fashion - Look-book & Branding Photography

Friends, four models, Tween to Teen Fashion - Look-book & Branding Photography

Branding tee shirt shoot, Tween to Teen Fashion - Look-book & Branding Photography

More fun on set, branding shot. Tween to Teen Fashion - Look-book & Branding Photography

Group shot of four girls, studio white background for a Tween to Teen Fashion - Look-book & Branding Photography

Those eyes again, studio white background. Tween to Teen Fashion - Look-book & Branding Photography

Thats a wrap, the four models and two mums on set. Tween to Teen Fashion - Look-book & Branding Photography

Client Website - www.millaandlotti.com.au/

Book your shoot today!
www.kentjohnsonphotography.com.au/

Kent Johnson, Sydney, Australia.
0433 796 863

Sunday, 3 January 2016

Why this Photographer Closed his Instagram Account(s).

On December 31, New Years Eve 2015 - I bit the bullet and closed all three of my IG accounts at once, and here's why, including five things I learnt about being a photographer online. I was a late IG adopter and my first account was @Kent_Johnson_Photography started late in 2013, say October-ish. The second @Model_Portfolios was begun nearly a year later to bring a more direct focus on one of my main photography areas, photographing modelling portfolios.. Then about six months ago, I added a third @street.fashion.sydney to accompany my popular art and fashion blog Street Fashion Sydney. And so then there were three. But why would I need three IG accounts, couldn't I "streamline" and do everything I wanted with just the one?


Way back in 2006 I got started with my first Web 2.0 account on Flickr, a precursor to IG which was famously the very "first" photo sharing application. At first I didn't think it would be worth it. I had my very own website! But after viewing a friends travel pictures and getting a taste of the groups and different peoples work on Flickr. I decided to give it a go, joined up, started to post my own shots; and soon became completely addicted. And I know I was addicted as back in 06 and 07 Flickr would often go down with server problems and I would freak out! OK not exactly freak out but it always seemed much more serious than it really was. I had real friendships with these people online that I would also meet up with in real life. Conversations took place beneath photos; continuing across different photos. And, although Flickr could be about just about anything.. my group of friends were all about and there for the Photography. Yes capital P Photography. And Flickr was world-wide and ran 24/7 (except when it was down). I am pretty sure I pulled a few all-nighters looking at and commenting on peoples work; and Flickr is where I first experienced high volumes of picture viewing; any-time I could manage the time, on my computer, I was on Flickr.

Flickr really was great fun; before Facebook came along, and a lot of people quickly jumped ship to that 'new' and more flexible platform. Those people didn't seem to be bothered by the poor job FB did on image resizing, or the constant changes to how things worked.

I stayed with Flickr and along the way I learnt five valuable key lessons about being a photographer online.

  1. New = First..The first thing I learnt about posting on Flickr or any timeline-blog is that your most recent picture is always top of the page. Unlike a website where you choose your order; you have no control over keeping on-top the picture you hope viewers will see first. 
  2. More = Less.. Pictures in a series deliver greatly diminishing views. Meaning the first picture in a series gets the most views and by the time you show the fifth or sixth - forget it. (So don't leave the best for last..) New New New is the mantra of picture sharing sites. 
  3. Blogs Matter.  If you want to show a series as a story, start a blog. I started my blogs so I could show sets of my pictures on one page to try and get around this phenomenon of diminishing views, and at least I feel like people are seeing the whole set, although I can't say so for sure.. It seems to work. I just show the key picture on Flickr and link to the blog.
  4. Less = More! You should only do one thing not many. It won't matter if your urban landscape abstract shadow shot is as good as your high fashion picture or your street life photo.. Any change in style and subject mater will confuse and alienate your audience. The minimalists won't like people pictures and visa versa making it very hard to grow your following.
  5. More = MORE! You need to post daily or with a clear regularity if you want to grow your network; and the work must be consistent. Which is a very big creative call; quantity & quality, especially when they should all be the same only different!

Reason #4 it should be obvious is the reason I ended up with three IG accounts. Although I had developed a reasonable following on IG with the original Kent Johnson account I was not getting any inquiries about professional work, or messages from PR's about attending events; inquiries were all being driven by the blogs and my website. But I kept hearing about how awesome IG was and people getting work etc.. so I decided I need to specialise. I had made the Flickr mistake again, I was being too diverse in the style of picture I was showing. I needed more followers, more likes, I needed to narrow it down; and focusing on modelling portfolios would be a good test. Within a couple of weeks of launching the new IG profile I had done a paid beach fitness shoot with a a very nice male instructor via IG. Then nothing. Nothing at all. Still the views were increasing slowly, and followers were increasing with each post, slowly. But my best liked photos would top out at around 60. Not exactly earth shattering! A couple of months back there was one headshot that freakishly did over 500 likes over a couple of days! Then back to same same..

So now I had two accounts, one I could happily post whatever I liked to and some people would like them, say 30 to 50 likes with a following of 600ish; and one I would post modelling shots, headshots, fashion tests or the occasional fashion shot on and for 300 to 400 followers get 30 to 50 likes..

Top bloggers, super bloggers get 10's of THOUSANDS of likes on each shot. That is of course why they are super bloggers and I decided that OK, (commercial) photographers are not super popular on IG, no really they are not.. But if I want to get noticed at ALL I needed some serious following and liking going on. On the new account I would #tag hard. I would like a LOT of peoples pictures. Like the same #Tags as I was using, as soon as I posted. Nothing! Or so close to nothing for an hour or two of solid work it just seemed impossible that this could ever work.

Regardless of the work and mediocre level of success.. as my Street Fashion Sydney (SFS) blog continued to do well I wondered if perhaps its less elite, more people based approach and imagery might work on Instagram, it was worth a try at least, and then if things didn't work out..

It kicked off well, no struggle to gain followers or likes and the new SFS was pretty enjoyable and was growing along similar lines to Model Portfolios. It was not receiving the same level of likes, 30 to 40 was good and again 50 or 60 (rare) would be great! Which lets face it it isn't. All three IG accounts seemed to tap-out broadly speaking at the same level. And I had a continual nagging feeling that the IG Gold Rush was long over; the Super Bloggers had bagged all the followers and the Hot Golden LIKES; and the rest of us poor wannabe's were standing in cold water sifting dirt looking for a grain of hope! It wasn't enough, it was NEVER going to be enough.

So on New Years Eve I pulled the plug on Instagram. On waking the next day I was a little apprehensive in a morning-after a big night, "what have I done?" kind of way, but it has quickly worn off. I looked through my websites referring sites statistics; both my blogs deliver click through to my website daily, twitter blasts return click through to my site, IG delivered only 3, that's three click throughs in December, and as best I could tell NO click through at all in October/November. IG is not really interested in helping people get to your website; and it seemed that the consumers of my IG pictures were not interested in looking at my website either.

So here's the commercial riddle of Instagram. Super Blogger X is commissioned by Mega Brand Y to flog some stuff with Photographer Z doing the shots. All three players then post the same shot on their respective IG accounts. Super Blogger X gets the routine 30k+ likes KAPOW! (2k in the very first measurable time bracket). Mega Brand Y using the same shot but not the same following get 5k in likes. Not too shabby.. Photographer Z who admittedly is NOT Terry Richardson.. and does not have the same following receives 275 "Likes" for the very same photo, that he/she actually took!

So that's the riddle of Instagram, and it's a fun social media riddle to puzzle over. And it can be very tough for commercial photographers.. Pick your own super blogger and check out an IG campaign they have done. Typically all the major players will be @ or #tagged and be playing along. So you can check it out yourself. Dreaming the living can be tougher than people 'living the dream' may ever suspect.

Will I be back to IG? After all for two years I have been telling people "well you just have to be in that space".  Lets not start a second riddle about if you are on IG and no one knows you are there..
If I can work out the answer to the first riddle, I may be back. But in the meantime; I am going to work on being a photographer, work on projects, work on my creativity and work on the areas that work for me, my blogs. And I still do Flickr; sure it's not what it was, it's different now but what isn't. As people keep telling me about IG in a way I don't quite get, Flickr is still whatever you make it to be.


Book your photoshoot DIRECT today.
Kent Johnson,
Sydney, Australia.
0433 796 863

Monday, 5 October 2015

Beautiful as Neon, Fashion Handbags in a Classic Car Garage.

And the real star of the pictures, model and former Miss Universe Australia Renae Ayris (and those vintage 1959 Cadillacs). Renae goes from a glamorous biker chic look through to evening charm and something a little more casual. A fabulous fashion campaign photoshoot for marketing fashion accessories for the overseas market.
Renae Ayris, biker chic, fashion handbag accessories Sydney photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris behind the wheel, biker chic, Sydney fashion photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris, evening wear and fashion handbag accessories in a Sydney photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris, Black leather jacket and bag, fashion photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Renae Ayris, casual style behind the wheel, fashion story photoshoot with vintage Cadillacs, photographed by Kent Johnson.
Photography, Art Direction, Post-Production by Kent Johnson.
Book you photoshoot DIRECT with Kent today.
Kent Johnson,
Sydney, Australia.
0433 796 863