Sunday, 27 March 2016

How Much Should I Pay? Modelling Portfolio FAQ.


Q. How much should my modelling portfolio cost?
A. A lot of people want to know the price of a portfolio even before finding out what’s involved with the photoshoot to begin with. And yet there is no simple answer to price. It's a bit like asking, how long is a piece of string? Many photographers produce what they call a Portfolio Shoot, so you will need to ask the right questions to find out what it is you are really paying for with your package, and if it's right for you.
It's perhaps easier to think in terms of price range and who and what’s involved; as price will be affected by the level of the photographers experience and other factors. More experience is usually better. Then there is the size and experience of the team to take into consideration, Hair & Make-Up (H&MU), Stylist, Assistants, Studio or Location, or both! Once you know the answer to these questions and a few of the ones below the answer to the “How much” question will make a lot more sense. So keep reading the FAQ and you will soon have the tools to decide if a price is right for you - the photographer asking the price - and valuable guidance as to how much you can expect to pay.

Q. Does it matter how much experience the photographer has?
A. Yes, Yes and Yes!  And they need to be experienced at photographing models, fashion with models or advertising with people and models and portfolios! Your pictures; all of them, need to make the right impression immediately. Only an experienced professional photographer can guarantee that result. Remember; you only get one chance to make a first impression. That is the job your portfolio's photographs do for you. They are your CV and they need make the right impression, first time, every time. So when it comes to making great pictures, working with an experienced photographer counts.
 Flatlay shot - Street Fashion Sydney - Fujifilm X-Pro1 photography kit.
Q. Do I need a stylist? What is a stylist, what do they do?

A. I am sure your clothes are great but are they right for a portfolio shoot? There are truly classic shots of models in jeans and a white shirt; but you still need the right elements and the right combination, this is typically the stylists job. Some photographers will insist on using a stylist, others will mix and match your garments, styling new Fashion looks for you from what you already have themselves. Remember it’s a modelling portfolio, a kind-of mini fashion shoot. It’s not a portrait session; you need the current fashion look that suits you and your new modelling portfolio.
Q. I just need a headshot & some body shots yeah?
A. No, you need a killer headshot to get noticed. Just the one at first; and you need shots that show the rest of you off. There is no such thing as just some shots. You need great shots, you need the right type and style of shot to create a ‘look’ for your portfolio. If you want "just some shots", you do not need a professional photographer. Think about it...
Q. Can't I do my own Hair & Make Up (H&MU)?
A. If you have the experience you probably could, however having a professional H&MU who is up-to-date with fashion looks and has experience working under photographic conditions is going to allow you to focus on YOU! Not to mention they will be there on-set to provide touch-ups as required by the photographer and to adjust the hair, fix fly-aways and helping to keep your 'looks' perfect, (ask if the H&MU stick around - it's an important part of the value of a shoot) streamlining the whole process of making great shots. The model has enough to think about in front the camera without worrying about being the H&MU artist too!
Applying make up, a model in H&MU Backstage for Watson x Watson, MBFWA. Photograph by Kent Johnson.
Q. I hear photographers do tests
, TFP for free?
A. Yes it's true; photographers of all levels shoot tests or TFP (Time for Pictures/Prints) and it is essentially a collaboration/trade between like-skilled, same-level Model/Photographer/Creative Teams to develop a new skill, test an idea for their portfolio; or create new work to land the kind of clients they are aiming for. This is not the kind of picture that a new model wants. New models need the basic shots first, the experienced photographer has moved past needing those shots in his or her book & will only "trade" on a test basis to create something wholly new for his/her book. The experienced photographer can however, create pictures for your portfolio that really help jump start your modelling career, and as such it's money well spent.

Q. What’s the difference between a Portrait shoot & a Modelling Portfolio?

A. Good question and an important one. A portrait shoot is typically showing you in your best light, something the family will like and enjoy. A modelling portfolio, while showcasing your personal look will also show how well you work as a model. How an advertiser, designer or fashion editor can use your beauty, and pay you for your 'look', to sell products; fashion, cars, toothpaste, whatever pays the bills.

Q. Shouldn't I get all the pictures on a disc?

A. Edit, Edit & Edit some more. This is one of the golden rules of photography and what it means is that only the best pictures will do. Good photographers can be a bit paranoid about making sure only the best pictures are seen. But there is a reason for that; they know you may very well be remembered for the 'worst' shot in your book not the best! Edit out the bad, make sure those shots are never seen. Never. Ever. So it’s most likely that even if you are given digital files, they may well be watermarked and too small to print, the 'bad' shots will be removed completely. The edited finals will of course be the best. It’s about quality not quantity; no mater how many pictures the photographer takes to get the shotIt’s your modelling portfolio and the best of the best is what you need.
Snap shot vs professional modelling portfolio headshot. Photos by Kent Johnson.
Q. Don't modelling agencies just want to see a snapshot of me?

A. Well if you have the current 'hot look' and are only 13, 14 or 15 and it's a GREAT Snap.. the answer may be yes. But if you don't have that exact look, & and I do mean that exact-NOW-look you might need to show them some professional shots to help get you over the line. You will still need to be model material; height, size and features, it’s a big wide world and with the right shots that may be all the help you need.

Q. I have had some quotes on prices, why do the good photographers seem so expensive?
A. Experience is the most expensive piece of 'equipment' a good photographer owns; and it can't be bought at the camera shop! You can however make use of it by booking them to do your shoot. Of course the costs of running the business are part of the expenses too; studio, camera's and other associated costs, but the most expensive and hard to acquire is experience! That being said, experienced photographers will almost certainly be asking a fraction of the cost of their commercial day rate to shoot your portfolio. They don't expect your shoot to cover all the running costs of the studio; they will shoot you because they love to keep shooting even between their commercial jobs. They will price your shoot at a special rate, mostly because they are nice guys and gals and love their job.
What makes a great modelling portfolio?

Q. Can I email you with other questions about modelling portfolios?
A. You can indeed you can at  kent@artcommunication.com.au or leave comments below and we might even get some new questions to update the article with.

Friday, 25 March 2016

My Studio Rules - and Six-Degrees of my MKR experiences.

Stunning headshot, Nikki Spehar, Studio Modelling Portfolio - swimwear, fashion, beauty photography by Kent Johnson.
Wow, I love My Kitchen Rules (MKR), what a great TV show, and it's not like other cooking shows at all. It has the tension and unpredictability of competition but with I think, more personality, the personality of the contestants who cook as teams of two. Friends, couples, lovers (well that might be over..) family. The two people who work as a team, are of course always interesting self-made pairings. This certainly adds to the wide range of emotions, character and of course cooking styles. The judges on this show have something special too; or something different to judges I have seen on other cooking shows; so all round a unique cooking cook-off experience! Story continues, scroll down..
Nikki's proof sheet of the headshot - Photography by Kent Johnson.
However I had never actually watched this show before that day my phone would not stop ringing.
Me, "Hello" Them, "Nikki Spehar, have you got any pictures of the model Nikki Spehar?" "Who else has called you" "have you sold them already" "We saw some on your blog".
Headshot in hat, Nikki Spehar, Studio Modelling Portfolio - swimwear, fashion, beauty photography by Kent Johnson.
That very night, my partner and I started watching the MKR episodes online, Nikki "I'm a model" and her hair flicks and thought the show, and Nikki were fabulous! Sadly Nikki and her friend from Uni did not make it through to the second round - I put it down to doing the hash browns in the sandwich toaster (great idea) without giving it a good clean first and no-doubt having added an unwanted toasted-cheesy flavour!!!
Viv, Draso and Kent at the Four in Hand gastropub.
Never mind by now we were addicted to the show and there were plenty more teams including Drasko and his partner who made the move to Sydney. The "Gourmet Pommies" Will and Steve who as we all now know took the MKR Crown in an as-always nail-biting finale! Well although I try not to, sometimes I get a bit celebrity stuck and my partner Vivienne had become a HUGE fan, in particular of the judge Colin Fassnidge who has a bistro restaurant at the Four in Hand in Paddington, Sydney, where we knew Drasko was now cooking. So after an at art opening at Roslyn Oxley9 it was a brief hop on a cold night to Colin's "gastropub" where we did actually get to meet Drasko and grabed a photo op too!

But the golden moment was yet to come. At the Sperry Odysseys Await launch party we finally met MKR winners Will and Steve and had a great chat with them about the show, life after MKR, their future plans, and their ears certainly pricked up when Vivienne let on that I had created Nikki's shots for her modelling portfolio. Yes those pictures, in Womans Day, The Daily Mirror and so on, and I promptly gave them one of my big picture business cards with, you guessed it, Nikki's picture on it!
Selfie time - 'The Gourmet Pommies' Will wears Ellie Cole's 2012 Olympic Gold Medal as Steve tries to get in on the act. Sperry Odyssey Australia launch @ Regatta with Swimming Australia.
Steve  & Will 'The Gourmet Pommies with vivalaViv blogger  Vivienne Shui at the Sperry Odyssey Australia launch Regatta Rose Bay.
So while a competition like MKR has a clear winner at the end. Life and photography are often not that clear cut; and winning is not the end, but actually a new beginning. But there are many things we can learn from a creative cooking competition like MKR that apply to photography too.
  • It pays to be organised.
  • Experience can give you a HUGE advantage and it will help you to avoid; cracking under pressure, which is when the mistakes start to happen, potentially ruining everything.
  • Creativity is essential, but what you do with it actually has to work. (see experience)
  • Teamwork and an ability to work toward a common Vision are indispensable.
  • Persistence is crucial if you want to go all the way.
And at the end of it all, it really does help that you LOVE what you do and have FUN doing it; and that's how I like things to go on my photo shoots, love, creativity, teamwork, persistence, and not at all last of all, fun! Yes you need to enjoy yourself when you work, I know I do.


Kent Johnson, Sydney, Australia.
0433 796 863

Saturday, 19 March 2016

Teen Modelling Portfolio - Look Out World - Here I Come.

When is the best time to do your modelling portfolio, when you are ready of course and the studio is the best place for it. Why the studio? Well as I sit here typing away I have one eye out the window looking at the weather; how will this afternoons location shoot go? Hopefully no rain! Of course this is never a problem when you choose to shoot in the studio, and it is very convenient if it is your first ever photoshoot; as this one was for Sonali. All these shots and the comp card below are part of her/my Look Out World - Here I come - Pro Modelling Portfolio package. We had a great time working through her five looks with wonderful hair and make-up by Emily-Rose. These photo shoots take about four hours in total and our H&MU artist is on set the whole time to make changes to the hair and make-up and for touch ups as we go. Now that's a true Professional photo shoot!
Black and white, Leotard and ballet shoes, studio portfolio shoot, dance, modelling, portrait; by Kent Johnson.
Casual fashion meets sports and fitness on this young woman’s teen fashion modelling portfolio shoot by Kent Johnson.
Denim play-suit with  cut away fish-net top over sports top/bra. Professional studio model portfolio shoot by Kent Johnson, Sydney Australia.
Casual black and white headshot.
Sportswear or hair modelling? Take your pic! Black and white studio shot by Kent Johnson.
Casual sports/fashion/fitness shot. Black on white in black and white. Modelling shot by Kent Johnson, Sydney.
Sonali, My Modelling Portfolio by Kent Johnson Photography.
Stretching out for a full length shot, where casual fashion meets sports and fitness, teen fashion modelling portfolio shoot by Kent Johnson.
Dance leotard mid shot, studio portfolio shot in black and white, dance, modelling, portrait; by Kent Johnson.
After five, knitwear bodycon dress; Look Out World - Here I Come, professional modelling portfolio photo shoot in Sydney by Kent Johnson.
Mid shot, Denim play-suit with  cut away fish-net top over sports top/bra. Professional studio model portfolio shoot by Kent Johnson, Sydney Australia.
Free BONUS, 'Agency Digital' with every portfolio shoot with Kent Johnson Photography.
Free BONUS, 'Agency Digitals' with every portfolio shoot.
A modelling comp card, part of the  Look Out World - Here I Come modelling portfolio package, designed and photographed by fashion photographer Kent Johnson; Sydney, Australia.

Book your portfolio shoot today!
www.kentjohnsonphotography.com.au/09Modelling/ModellingPortfolios.htm

Telling Stories in Pictures all over the world..
Kent Johnson, Sydney, Australia.
0433 796 863

Tuesday, 12 January 2016

What makes a Studio Modelling Portfolio so Exciting!

Just what is it that makes creating a model portfolio in the studio so exciting? Well I am truly glad you ask because I been have thinking about why I enjoy photographing model portfolios so much and why I think the studio is such a special place to do so. Many of the model portfolio shoots I create are often the models very first photoshoot. And while yes, that first photography session could just as easily - perhaps - take place on location; the studio adds something of the fun of fashion, the magic of photography and the excitement of a completely new experience. After all, as Australian's we have all been to the beach, the park, walked down an old back lane.. but the studio? Now that really is something special and new!
Composite of nine modelling portfolio headshots by Kent Johnson, photographed in the studio, Sydney Australia.

It's like a first taste of real life as a model. The huge white room, the big mirror with all the lights where the hair and make-up artist weaves their magic and brings their expertise creating the different looks, and in the studio there are power points too! The styling table with shoes and accessories, clothing racks hung with the dresses, jackets, pants, all for the shoot. It's pretty exciting! You won't need to worry if its raining or if the sun is too strong. If you are a little shy, that's OK, you won't have a group of strangers gathering, watching and wondering what is going on; as often happens when shooting on location. I like that we have the uninterrupted time and space to work on amazing pictures for you, of you, the best pictures you have ever seen. It's a real privilege to be part of that experience. Are you ready to give it a go ?

Modelling comp card, all shots made in the studio by Kent Johnson Photography, Sydney Australia.
Between Shots with Hannah Patricia from Beauty and the Geek. Studio modelling portfolio shoot by Kent Johnson.
Approved Agency Model - photoshoot, headshot, in the studio, Sydney Australia, by Kent Johnson.
Black and White; Studio swimwear shot of Hannah Patricia from Beauty and the Geek photographed by Kent Johnson.
Fitness modelling portfolio shoot in the studio. Picture with text block, What makes a studio modelling portfolio so exciting. Photography by Kent Johnson.
Daylight and studio flash used to ceate a unique look for a modelling portfolio headshot. Photo by Kent Johnson.
Casual men's style, studio portfolio shoot by Kent Johnson.
Fitess shoot in the studio, black and white headshot. By Kent Johnson Sydney, Australia.


Kent Johnson, Sydney, Australia.
0433 796 863

Sunday, 3 January 2016

Why this Photographer Closed his Instagram Account(s).

On December 31, New Years Eve 2015 - I bit the bullet and closed all three of my IG accounts at once, and here's why, including five things I learnt about being a photographer online. I was a late IG adopter and my first account was @Kent_Johnson_Photography started late in 2013, say October-ish. The second @Model_Portfolios was begun nearly a year later to bring a more direct focus on one of my main photography areas, photographing modelling portfolios.. Then about six months ago, I added a third @street.fashion.sydney to accompany my popular art and fashion blog Street Fashion Sydney. And so then there were three. But why would I need three IG accounts, couldn't I "streamline" and do everything I wanted with just the one?


Way back in 2006 I got started with my first Web 2.0 account on Flickr, a precursor to IG which was famously the very "first" photo sharing application. At first I didn't think it would be worth it. I had my very own website! But after viewing a friends travel pictures and getting a taste of the groups and different peoples work on Flickr. I decided to give it a go, joined up, started to post my own shots; and soon became completely addicted. And I know I was addicted as back in 06 and 07 Flickr would often go down with server problems and I would freak out! OK not exactly freak out but it always seemed much more serious than it really was. I had real friendships with these people online that I would also meet up with in real life. Conversations took place beneath photos; continuing across different photos. And, although Flickr could be about just about anything.. my group of friends were all about and there for the Photography. Yes capital P Photography. And Flickr was world-wide and ran 24/7 (except when it was down). I am pretty sure I pulled a few all-nighters looking at and commenting on peoples work; and Flickr is where I first experienced high volumes of picture viewing; any-time I could manage the time, on my computer, I was on Flickr.

Flickr really was great fun; before Facebook came along, and a lot of people quickly jumped ship to that 'new' and more flexible platform. Those people didn't seem to be bothered by the poor job FB did on image resizing, or the constant changes to how things worked.

I stayed with Flickr and along the way I learnt five valuable key lessons about being a photographer online.

  1. New = First..The first thing I learnt about posting on Flickr or any timeline-blog is that your most recent picture is always top of the page. Unlike a website where you choose your order; you have no control over keeping on-top the picture you hope viewers will see first. 
  2. More = Less.. Pictures in a series deliver greatly diminishing views. Meaning the first picture in a series gets the most views and by the time you show the fifth or sixth - forget it. (So don't leave the best for last..) New New New is the mantra of picture sharing sites. 
  3. Blogs Matter.  If you want to show a series as a story, start a blog. I started my blogs so I could show sets of my pictures on one page to try and get around this phenomenon of diminishing views, and at least I feel like people are seeing the whole set, although I can't say so for sure.. It seems to work. I just show the key picture on Flickr and link to the blog.
  4. Less = More! You should only do one thing not many. It won't matter if your urban landscape abstract shadow shot is as good as your high fashion picture or your street life photo.. Any change in style and subject mater will confuse and alienate your audience. The minimalists won't like people pictures and visa versa making it very hard to grow your following.
  5. More = MORE! You need to post daily or with a clear regularity if you want to grow your network; and the work must be consistent. Which is a very big creative call; quantity & quality, especially when they should all be the same only different!

Reason #4 it should be obvious is the reason I ended up with three IG accounts. Although I had developed a reasonable following on IG with the original Kent Johnson account I was not getting any inquiries about professional work, or messages from PR's about attending events; inquiries were all being driven by the blogs and my website. But I kept hearing about how awesome IG was and people getting work etc.. so I decided I need to specialise. I had made the Flickr mistake again, I was being too diverse in the style of picture I was showing. I needed more followers, more likes, I needed to narrow it down; and focusing on modelling portfolios would be a good test. Within a couple of weeks of launching the new IG profile I had done a paid beach fitness shoot with a a very nice male instructor via IG. Then nothing. Nothing at all. Still the views were increasing slowly, and followers were increasing with each post, slowly. But my best liked photos would top out at around 60. Not exactly earth shattering! A couple of months back there was one headshot that freakishly did over 500 likes over a couple of days! Then back to same same..

So now I had two accounts, one I could happily post whatever I liked to and some people would like them, say 30 to 50 likes with a following of 600ish; and one I would post modelling shots, headshots, fashion tests or the occasional fashion shot on and for 300 to 400 followers get 30 to 50 likes..

Top bloggers, super bloggers get 10's of THOUSANDS of likes on each shot. That is of course why they are super bloggers and I decided that OK, (commercial) photographers are not super popular on IG, no really they are not.. But if I want to get noticed at ALL I needed some serious following and liking going on. On the new account I would #tag hard. I would like a LOT of peoples pictures. Like the same #Tags as I was using, as soon as I posted. Nothing! Or so close to nothing for an hour or two of solid work it just seemed impossible that this could ever work.

Regardless of the work and mediocre level of success.. as my Street Fashion Sydney (SFS) blog continued to do well I wondered if perhaps its less elite, more people based approach and imagery might work on Instagram, it was worth a try at least, and then if things didn't work out..

It kicked off well, no struggle to gain followers or likes and the new SFS was pretty enjoyable and was growing along similar lines to Model Portfolios. It was not receiving the same level of likes, 30 to 40 was good and again 50 or 60 (rare) would be great! Which lets face it it isn't. All three IG accounts seemed to tap-out broadly speaking at the same level. And I had a continual nagging feeling that the IG Gold Rush was long over; the Super Bloggers had bagged all the followers and the Hot Golden LIKES; and the rest of us poor wannabe's were standing in cold water sifting dirt looking for a grain of hope! It wasn't enough, it was NEVER going to be enough.

So on New Years Eve I pulled the plug on Instagram. On waking the next day I was a little apprehensive in a morning-after a big night, "what have I done?" kind of way, but it has quickly worn off. I looked through my websites referring sites statistics; both my blogs deliver click through to my website daily, twitter blasts return click through to my site, IG delivered only 3, that's three click throughs in December, and as best I could tell NO click through at all in October/November. IG is not really interested in helping people get to your website; and it seemed that the consumers of my IG pictures were not interested in looking at my website either.

So here's the commercial riddle of Instagram. Super Blogger X is commissioned by Mega Brand Y to flog some stuff with Photographer Z doing the shots. All three players then post the same shot on their respective IG accounts. Super Blogger X gets the routine 30k+ likes KAPOW! (2k in the very first measurable time bracket). Mega Brand Y using the same shot but not the same following get 5k in likes. Not too shabby.. Photographer Z who admittedly is NOT Terry Richardson.. and does not have the same following receives 275 "Likes" for the very same photo, that he/she actually took!

So that's the riddle of Instagram, and it's a fun social media riddle to puzzle over. And it can be very tough for commercial photographers.. Pick your own super blogger and check out an IG campaign they have done. Typically all the major players will be @ or #tagged and be playing along. So you can check it out yourself. Dreaming the living can be tougher than people 'living the dream' may ever suspect.

Will I be back to IG? After all for two years I have been telling people "well you just have to be in that space".  Lets not start a second riddle about if you are on IG and no one knows you are there..
If I can work out the answer to the first riddle, I may be back. But in the meantime; I am going to work on being a photographer, work on projects, work on my creativity and work on the areas that work for me, my blogs. And I still do Flickr; sure it's not what it was, it's different now but what isn't. As people keep telling me about IG in a way I don't quite get, Flickr is still whatever you make it to be.


Book your photoshoot DIRECT today.
Kent Johnson,
Sydney, Australia.
0433 796 863

Wednesday, 9 December 2015

My Equipment and a Photography Portfolio for Shotkit!

A few week back, no a few months back.. Mark from Shotkit approached me to see if I would like to be part of his website that highlights photographers work; and the photography equipment, the 'shotkit' they use to produce their photographs. Now while I have largely shied away from all sorts of gear-porn, I do love the shotkit website and what Mark has done with it. And having subscribed I was enjoying seeing the photography and the kits of photographers from all around the world. So in a nutshell I said yes to the request to take part, did the kit shots; AND a pretty fabulous story about the kit(s) I use; my writing really is improving all the time, even if I do say so myself! I also put to together a  much larger selection of pictures for Shotkit than they were ever going to be able to run, but hey you gotta give it a go.. The post went live a few weeks back; so now I can reveal the complete series of shots I put together for the first time. SO if you want to READ all about it; you need to click this link to check out the story of my equipment too. Go on, I know you want to; and it's well worth subscribing while you are there.
Flatlay photo of my Nikon kit for commercial/fashion/portrait - ShotKit
So here's the selection which includes my Street Fashion Sydney -personal work - photo kit and shots as well. It was a great exersize putting the shots together and the story behind the equipment, I highly recommend it; and as an added bonus I have a succinct portfolio of my work for showing on my tablet at last! Thanks Mark, thanks Shotkit, it's been a lot of fun. http://shotkit.com/kent-johnson/
 Flatlay shot - Street Fashion Sydney - Fujifilm X-Pro1 photography kit.
 Street Fashion Sydney - Fujifilm X-Pro1 photography kit.

http://shotkit.com/kent-johnson/

Book you photoshoot DIRECT today.
Kent Johnson,
Sydney, Australia.
0433 796 863