Friday, 22 August 2014

Shooting Fashion on Location - One Wall, Many Great Results.

It's kind of funny how we continue to work photographing on a white background in the studio again and again; making fresh pictures every time; no problem there. But when a photographer thinks about photographing the same location again.. and I do mean the exact same location again, Oh No! You just don't want to go there you just don't want to do it. Been there, done that! At least that used to be my feeling about shooting the same location more than once but now my feelings have changed.

So how did I change my feelings and what changed my mind? Well finally I re-shot the same location on different commissions as it was perfect for each job. And now I know that revisiting a location is really the same as revisiting any background that I use to create pictures. It's OK because it's not just the background that makes the shot, it is everything that goes into it (although I knew that already). The garments, the models, the hair and make-up, the attitude, they all help to define the original nature of a fashion shoot, modelling portfolio or portrait, in the studio or on location.
Old door in wall, The Rocks Sydney - Photographed by Kent Johnson.
The first time I photographed this location in Sydney's The Rocks was some years ago to produce campaign shots for a hot young label called Lulu in Chains. I had recommended the client scout for a 'wall' down in The Rocks for our shoot that appealed to their taste and the label. As soon as they told me, I knew the location, it's a popular photographers wall to say the least and for good reason, photographed well it looks great, it was just that until then I had never photographed it before.
Location fashion shoot against an old wall in The Rocks Sydney for Lulu in Chains by Sydney Photographer Kent Johnson.
Lulu. 
My second time photographing this wall was with Kyrien for his Sydney portfolio shoot just a few months ago. Kyrien had seen the Lulu shots in my portfolio and loved the location, which happily was close to other landmark Sydney spots I wanted to use for his photo shoot too. Then when my client Baraka decided they would like a change from white background in the studio to location; outdoors but not completely outdoors, still with a neutral and versatile look.. I showed them the Lulu shoot and the recent shots with Kyrien. And that as they say was that! My third shoot against the same wall was on.
Kyrien in a Tuxedo photographed against a weathered old wall in Sydney. Male modelling portfolio photographed by Kent Johnson.
Kyrien.
Check woollen fashion dress by Baraka photographed on location in Sydney Australia by Kent Johnson.
Baraka.
Womens fashion campaign photo shoot in The Rocks Sydney against a backdrop of an old wall.

Kyrien sitting in a Tuxedo photographed against a weathered old wall in Sydney. Male modelling portfolio photographed by Kent Johnson.

Detail of dress and jacket photographed against an old textured wall on location in Sydney Australia.

Black and white fashion photograph, high fashion on location, old door, stairs and wall, model wearing a top hat. Photographed by Kent Johnson.

I love this wall in The Rocks and its not the only location like it that I love but it is the first one that I have ever photographed repeatedly. Curiously every time I pass by this wall I am amazed that it is as small as it is, that's right it's really quite small and it seems like we have produced a little miracle fitting these tall models into the space. And although on the page together you can see it is the same location, viewed as separate campaigns they represent beautifully different looks and feels, after all that's what great photography is all about and I love it.

Kent Johnson
0433 796 863

Thursday, 31 July 2014

From Mumbai to Sydney. How I Created an International, Custom Model Portfolio Location Shoot for Kyrien.

As mentioned in a previous post Kyrien came all the from Mumbai India to do this Sydney portfolio shoot with me. We had first contact by email and then after arriving in Sydney we met to discuss exactly what Kyrien wanted from his shoot. Although I shoot on location quite often, for most portfolio shoots it is usually more convenient for everyone to work in the studio. In the studio we have electricity, a roof, studio lighting, air conditioning etc.. we don't need to worry about the weather, we book the shoot and we are good to go. Of course photographers and photography styles aside, Kyrien could have saved himself a trip and done a studio shoot back home in Mumbai! No, a studio shoot was not going to work this time. What we needed was an International look; some subtle hints of Sydney's famous landmarks in his shots, we wanted an International and Sydney Look for when Kyrien and his world-class afro hairdo headed back home to India.

Black tie dinner suit shot, formal style menswear, The Rocks Sydney - Photography by Kent Johnson.
'Bad Ass' look, Aviator Sunglasses, linen jacket - Sydney Harbour Bridge location - Kent Johnson Photography.
 Male modelling, fitness and sport, body shot on Sydney Harbour with Kyrien Crasto, Sydney Harbour Bridge, shot by Kent Johnson
Big smile casual style wearing Panama hat - Observatory Hill Sydney - Model portfolio photography by Kent Johnson
Streetwear shot with the Sydney Opera House in the background - Model portfolio photography by Kent Johnson
Sydney harbour beach location - Model portfolio photography by Kent Johnson
A sun drenched room, men's fitness and sportswear Sydney parkland location - Model portfolio photography by Kent Johnson
Headshot, black and white - Male Model portfolio photography by Kent Johnson
Black Tie, morning after? - Menswear Modelling portfolio photography by Kent Johnson
Kyrien in The Rocks Sydney wearing the Levis Commuter Parka - Model portfolio photography by Kent Johnson
Model comp for male modelling portfolio - Model portfolio photography by Kent Johnson
Kent Johnson - Sydney Australia.
0433 796 863

Friday, 18 July 2014

VSCO - SNAPSEED - Fashion Photography and a Samsung TAB 3 Tablet

Although I was I think, an early adopter of digital photography, and it was Digital that brought me back to photography (but that's a story for another day).. I have not been quite so fast to go with all digital technologies. I am quite old school in many ways and not one to jump onto the 'latest' and 'greatest' bandwagon. I prefer to wait a little while, see what really works, what gets traction, what sticks around.

My mentor, Australian Fashion Photography Icon Brett Hilder has been using me as a sounding board for research on mobile digital technologies over the past few years, and as a direct result of lending a hand checking out new products with Brett, I became aware of what I think is fair to call the 'New Era' in mobile photography and image Editing.

Modelling portfolio shoot, Black and White behind the scenes image processed on a Samsung Tab 3 with VSCO and Snapseed software.
This behind-the-scenes shot from Arabella's recent studio portfolio shoot, while having been shot with the Nikon camera was part of a selection I had pulled onto my tablet for previewing. Once there I decided to do a black and white conversion and edit using the VSCO  software on the 8" Samsung Tab 3. The screen is perfect for the job and I love that you can zoom in when using VSCO. I then exported the image to Snapseed where I selected one of the many amazing borders. The Snapseed software, which is made by the people who make the Nikon RAW file editing software for Nikon by the way.. is also amazing to work with, not just for the borders and effects in the editing suite, the normal editing tools work very well indeed with a fabulous finger swipe interface.

I am looking forward to not only working on my phone camera shots for Instagram and the like with the mobile picture editing software and the Tab 3 Tablet; there are clearly plenty of creative options for Fashion, Portrait, Landscapes, the future it seems is mobile!

Kent Johnson - Sydney Australia.
0433 796 863

Monday, 26 May 2014

Forget being creative - Your best job might be your last..

Most people I know when thinking about photography and being a photographer, at least in conversation with me; are big believers in the creative power of photography and the photographers power to create. That's certainly the story we get from the camera manufacturers advertising campaigns too, photography, unleash your creative powers with XXBrandCameras! When a group of photographers get together it won't all be talk about clients, chances are 'doing' creative photography will be a big part of what they will be talking about.

But if you plan on making a living from photography, especially in a creative field like fashion photography, then the 'creative' component is very likely going to take a back seat - now more than ever before. As that crazy Physicist said on TV way back whenever.. "Why is it so?". Well there are many reasons but here are a few, unless you are a such major player (no not even then) that your client is in awe, your client will quite likely expect you to..
look like them, 
talk like them, 
aspire like them,
be in awe of them (after all you are getting paid) and finally,
think like them.

Maybe not all of the above but most likely most of the above and most of that will not have anything to do with delivering your image brief. All this while knowing as reported in this years PhotoShelter report on photography - you only work with a client "on average three, (3) times"! When you consider some clients stay with photographers for years and many shoots you can see that even 3 bookings looks good to say the least.

Creative fashion photography in the studio - Sydney photographer Kent Johnson.

Which brings us to the picture of the jumping model. I booked this shoot via the internet while the client/designer was in China seeing to the completion of the samples for the new range. A new designer for an established fashion company, this was her first for this fashion companies label. The brief was to shoot look-book images - straight up-down shots, but we also wanted studio branding shots with action/movement; and from a 'bing search' in China; I was the best bet. I was booked for my creative style, and that is every photographers dream.

The designer hit the studio first thing in the morning, right off the plane - and with her team working on the fashion, I set up the studio with my assistant as the H&MU began, and after an hour or so we were working our magic, all day long. We worked together, ate together, smoked cigarettes together (as you do, but now I've stopped) and, I think this is one of the best shoots I have ever done. Great team, great clothing, great Hair and Make Up all resulting in a large series of strong, beautiful creative fashion shots; and the clients selection is still on the websites introduction to the label well over a year later.

Was the client happy? Well I certainly thought so and I did hear back indirectly that the company owners were super happy with the shots. Have I ever worked with the designer again? No. My studio partner says its because "I was too confident and too old", "They don't like it when you look like you know what you are doing"!

Well I delivered the brief, I put my full creative energy into the shots as I always do, that's WHY I became a photographer; I brought the shoot in on time and on budget, and I for one love these shots! What have I lean't from the experience. Not much I can use unless I can be 24 again - no thanks!

Basically photography 2014 is about your social network, your work, being nice, being professional, courteous and efficient. Which is what my repeat clients like about me, and they like my creative energy as well. But do be aware, if you don't fit some clients 'idea' of a photographer, no matter what 'creative' result you come up with; you may never be invited back again..

Kent Johnson
0433 796 863

Sunday, 25 May 2014

..I am very attracted by bad taste - its much more exciting than good taste..

So said Helmut Newton in an interview in 1981* and I really can't agree more. But you know what; I have been pushing good taste all my life, I have been a victim of my own good taste and, I have believed in 'taste' which I suppose is not quite the same as 'good taste' and I don't think it has done me any favours at all.

This picture of mine comes from a story called Rapture in Sydenham and its a reaction to my working with so-called good taste. Sydenham is an inner west Sydney suburb that 20 years ago really was the ass end of the world and had a reputation for junkies and crime, much like trendy or 'edgy' Darlinghurst at the time had too but Sydenham had no glamorous veneer and was more; much more down market. While I certainly don't condone or recommend drug use, that was certainly a part of the times, and a big part of me misses the hedonism of the mid to late 80s some of it drug related lots of it not. It was quite frightening sometimes but it was quite exciting too; it was not such a homogenised society as it seems to be today. So this story is about those times; the conflict of love when you're whole life has been a compromise - its not much fun - stay close - hold on to what you have got..

Good or bad taste in photography?  Rapture in Sydenham - Photographed by Kent Johnson.

Extended website version,
www.kentjohnsonphotography.com.au/RaptureInSydenham.htm

Original published on Street Fashion Sydney
http://streetfashionsydney.blogspot.com.au/rapture-in-sydenham-love-story.html

Photographer, Kent Johnson
Hair & Make Up, Sabrina Scheuer
Stylist, Kent Johnson
Models, Cole & Myv @ Milk Models
Photography Assistant, Hugh Baulderstone 


* "I love vulgarity. I am very attracted by bad taste - it is a lot more exciting than that supposed good taste which is nothing more than a standardised way of looking at things." Helmut Newtown interview by Bernard Lamarch-Vadel 1981.

Hi Impact Radius

Tuesday, 20 May 2014

Gothic Style Fashion and Seances with Designer Handbags.

Some of the first rolls of film I ever exposed were shot in cemeteries. Maybe a bit weird or  creepy I know.. but when you are growing up in Australia and you want something old exotic and different then a hundred years or so old cemetery is going to be one of your best bets for exotic and old!

In this case it was my client who came up with the idea of shooting at this very well known (and photographed) Sydney location as part of their campaign for their Gothic, Skull & Bones and Leather Tasselled designer bags. Time of day was important for the mood we wanted, we went for late afternoon and squeezed off half a dozen bag shots with our two experienced models; only changing the bags not the outfits of our Dark-Gothic Lace-Masked and Veiled beauties. I like to think its got a bit of that irreverent Helmut Newton style - something out of the ordinary!

Gothic Fashion Style and Seances with Designer Handbags - Model Rochelle Fox - Photographer Kent Johnson.

Model Rochelle Fox  
H&MU Emily Hayward

Kent Johnson
0433 796 863

Monday, 19 May 2014

Magic Happens - Digital Fashion Photography Collage, Studio + Location.

I think magic happens on my photo shoots all the time, in the studio, on location, that special communication, that special moment, that special picture; the magic does happen! But sometimes you need some special magic that does not happen in-camera, sometimes life and photography call for a little digital manipulation.This image is from a series of editorial images I created that used shots I already had as 'stock' images of the Sydney Harbour Bridge and married them with our models fashion shots made against a white background in the studio. Dark, mysterious and beautiful; everyone calls this my "Blade Runner" and "Manga" fashion picture and its easy to see why.
Digital composite fashion photograph - Model in lingerie standing on the Sydney Harbour Bridge at night. Photography and digital editing by Kent Johnson.
Can I do this for you too? You bet I can; in my photography universe Magic really does happen.

Digital composite fashion photography.
Photography and digital editing by Kent Johnson.
Model Sammy Raine.
Styling Rhiannon Bulley.
Hair & Make Up Lisa Sciberras.

Kent Johnson
0433 796 863