Showing posts with label Night Photography. Show all posts
Showing posts with label Night Photography. Show all posts

Wednesday, 27 May 2015

Photographing Vivid Sydney 2015 - Like it was 1985!

Looking through my first series shots that I made of the coloured light sculptures and projections at the 2015 edition of Vivid Sydney on Tuesday night a question occurred to me; what would these pictures look like if I had taken them back in 1985?  I knew the answer immediately; Black and White! I would have gone to a coloured light show with my Nikon FM and I would have almost certainly photographed in Black and White. There are a couple of reasons for this. First and most importantly I love black and white! And back in 1985 I was obsessed with black and white photography as an art form and a complete way of seeing and revealing the world around me. The other reason is that colour film and processing was expensive! Really expensive if you were shooting professional transparency/slide film. Which is exactly what I would have used if I wanted colour pictures.
Selfies, Arclight by Artists: Studio Workshop (Chris Knapp (Australia) / Jonathan Nelson (Australia)) + Matsys (Andrew Kudless (USA)). Vivid Sydney in black and white photography
Of course too much colour can overpower a picture, muddy a scene, create clashes that detract. Very good black and white and very good colour photography are both difficult to achieve; but as most of us do like pretty colours.. I am still of the opinion that it is easier to make a passable colour picture than a passable one in black and white. Oh, and don't forget the iso issue, HP5 or TriX film was 400iso! Push it as far as you dare for soft pictures and golf ball sized grain. These pictures were all made with the Fujifilm X-Pro1 the XF18mmF2 R and tiny EF-X20 flash unit.

So here they are; all the colours of Vivid Sydney in glorious Black and White! Enjoy.
Onlookers, With 'Our House' byThem Sculptures (Tom Dekyvere) Vivid Sydney in black and white photography
Inside 'Harbour Wave' by Andre Kecskes; Vivid Sydney in black and white photography
The Dresses' by Tae Gon Kim, Vivid Sydney in black and white photography
Black and white photo of Arclight (with Sydney harbour bridge in background) by Artists: Studio Workshop (Chris Knapp (Australia) / Jonathan Nelson (Australia)) + Matsys (Andrew Kudless (USA)). Vivid Sydney in black and white photography
Arrow & ice cream - Vivid Sydney in black and white photography
Outside Light Origami, Vivid Sydney 2015. Street Photography in Black and White by Kent Johnson.
Selfie with, Affinity by amigo & amigo (Simone Chua & Renzo B. Larriviere ) + S1T2 (Chris Panzetta & Naimul Khaled) at Vivid Sydney in black and white photography
http://fashionphotographysydney.blogspot.com.au/2015/05/personal-work-photographing-vivid.html
http://streetfashionsydney.blogspot.com.au/2012/06/vivid-sydney-art-lights-up-rocks.html
http://streetfashionsydney.blogspot.com.au/2013/06/vivid-sydney-2013-street-fashion.html
View large here, https://www.flickr.com/photos/kentjohnson/Vivid2013-2015

Kent Johnson,
Sydney, Australia.

0433 796 863

Sunday, 17 May 2015

Personal Work - Photographing Vivid Sydney from 2012 to 2014.

On the 22nd of May 2015 Vivid Sydney is back and the lights will be on again. I first started going to and photographing the Vivid light shows in 2012. Initially to have something new to put up on my Street Fashion Sydney blog that would compliment my regular art & artists and street fashion at art shows posts. And it had been a little quiet.. I suppose I should admit that before heading down to the Quay and The Rocks to see Vivid for the first time I was thinking it would be very 'for the tourists'. Yes my attitude was completely stuck-up! And of course when I got down there it was not just a few tourist but a LOT of tourists and locals and a melee of cameras and tripods too. What I was not expecting was to get caught up in the excitement of photographing the art installations and the light shows like a newly re-born photographer. That year I made three special trips and I pulled out lenses (tripod) and filters for the Nikon; and techniques, not used for years to create my own photographic vision of Vivid Sydney 2012 - Here..
Colour3 by Richard Neville, Daniel Mercer, Alex Grierson and Michael Gearin. Vivid 2012
Come the 2013 edition of Vivid, and Street Fashion Sydney (SFS) had sponsorship from Fujifilm Australia and I was shooting for the blog exclusively with the Fujifilm X-Pro1. I decided to go Reportage style that year, with the 18 and 35 mm lenses and the little X-20 flash mounted on the camera. That was the year of pictures of the people much more than the art; and the year of umbrellas as it was raining even more so than 2012; though when it comes to light projections on the Sydney Opera House, it does not seem to matter how cold or wet. Nothing will keep the crowds away, and I was able to get some lovely shots of people doing what people do; when confronted with beautiful light shows and rain, rain, rain! Here.
Ladies with umbrellas laughing in the rain, Vivid Sydney 2013
Ladies with umbrellas laughing in the rain, Vivid Sydney 2013
By 2014 I am still very happily shooting SFS with the Fujifilm X-Pro1 but I also have an HTC ONE phone loaded with Instagram, Snapseed and VSCO; I can pull shots from the memory card of the Fuji onto the Phone and edit them right-there, right-then and I do! Well a couple anyway (as it's USB not Bluetooth or wireless) at the Lord Nelson Hotel over a pint of Nelsons ale.. But I have already posted to Instagram a shot from inside the Blue installation, Cellular Tessellation using a shot from the phone itself. I am well aware I have almost missed the Instagram boat but I am determined to catch up! #vividsydney  Actually so obsessed with the new social media, this is the first blog post of my shots of Vivid 2014.
Mouse over images for details.
Cellular Tessellation - HTC ONE - Snapseed
Cellular Tessellation - HTC ONE - Snapseed.
Shot Fujifilm X-Pro1, Snapseed processed on the HTC, Giant Rabbits Invade Sydney Harbour By Amanda Parer
Giant Rabbits Invade Sydney Harbour By Amanda Parer
Shot Fujifilm X-Pro1, Snapseed processed on the HTC, HiRAY, you pull on the ropes and it lights up in different colours and different ways
Cellular Tessellation by Knapp, Nelson, Parsons 2014. Sydney Harbour Bridge in the background.
I think this was my favourite work this year, LOL Mouths by Luke Hespanhol at Walsh Bay for Vivid Sydney 2014 SydneybyNight.
Maybe I can't read a map or maybe Vivid still can't credit works properly... This just near Parker's art store along with another piece that seems undocumented on the map. Corner of Argyle & Cambridge Street, The Rocks, Sydney. Maybe next year!
The interactive solar light sculpture, HiRAY, you pull on the ropes and it lights up in different colours and different ways..
I'm not sure if this light display is part of Vivid Sydney or just something going on in The Argyle, the screen in the top of the arch was displaying TRON as in the movie etc; so maybe yes maybe not.
Looking back to the city from Campbell Cove with the blue glow of Cellular Tessellation at waters edge. Vivid Sydney 2014.
Children interact with the large illuminated crochet artwork Magic Circle by Tina Fox. Bennalong Point, Circular Quay Vivid 2014.
CLEFT installation by Simon Grimes on the right and 59 Productions 'Lighting of the Sails' light projection on the Sydney Opera House.
MirrorBall Heart, George Savoulis / Ignatius Jones, was inspired both by the stage revival of  Baz Luhrman’s  Strictly Ballroom.
MirrorBall Heart, George Savoulis / Ignatius Jones, was inspired both by the stage revival of  Baz Luhrman’s  Strictly Ballroom.
Child Running - Vivid Sydney installation, Cellular Tessellation by Knapp, Nelson, Parsons 2014. Sydney Harbour Bridge in the background.
Child Dancing-  Pool by Jen Lewin, Vivid Sydney 2014. An interactive light pool for all ages, the light disks change colours with the movement of the group.

Curiously, although Vivid launched in 2009 with Brian Eno as part of the creative team; 2012 seems to have been the year it really kicked off, and I can't seem to find anything about the time span in between. So it could well be that I have been in the thick of it; most happily since the beginning(ish). And since you can see what pretty much everyone does at Vivid by checking out Instagram #VividSydney or the annual Flickr groups, one certainly gets a feeling for how one is doing photographing the show.

They say it's easy photographing a beautiful woman; she is already beautiful, you just need to push the button. But in an age of Digital Auto Everything, it is interesting to see how your pictures compare.. Vivid is a lot like a beautiful woman, but not everyone sees her or photographs her the same way. I am looking forward to the 2015 edition of Vivid Sydney!

http://streetfashionsydney.blogspot.com.au/2012/06/vivid-sydney-art-lights-up-rocks.html
http://streetfashionsydney.blogspot.com.au/2013/06/vivid-sydney-2013-street-fashion.html
https://www.flickr.com/photos/kentjohnson/Vivid2013-2014

Kent Johnson,
Sydney, Australia.

0433 796 863

Monday, 19 May 2014

Magic Happens - Digital Fashion Photography Collage, Studio + Location.

I think magic happens on my photo shoots all the time, in the studio, on location, that special communication, that special moment, that special picture; the magic does happen! But sometimes you need some special magic that does not happen in-camera, sometimes life and photography call for a little digital manipulation.This image is from a series of editorial images I created that used shots I already had as 'stock' images of the Sydney Harbour Bridge and married them with our models fashion shots made against a white background in the studio. Dark, mysterious and beautiful; everyone calls this my "Blade Runner" and "Manga" fashion picture and its easy to see why.
Digital composite fashion photograph - Model in lingerie standing on the Sydney Harbour Bridge at night. Photography and digital editing by Kent Johnson.
Can I do this for you too? You bet I can; in my photography universe Magic really does happen.

Digital composite fashion photography.
Photography and digital editing by Kent Johnson.
Model Sammy Raine.
Styling Rhiannon Bulley.
Hair & Make Up Lisa Sciberras.

Kent Johnson
0433 796 863

Sunday, 20 February 2011

out-take : in the night a lonely hunter

Well I always loved this shot but I couldn't quite make it fit with the final fashion story as a whole. Hayley has that great foreboding look in her eyes, you just know something is going to happen! In the end I went with a more confident, slightly mad-and-arrogant look; oh and that shot is also the shot showing the bundle of rope in her hand! Well she is the hunter.

Hayley, in the night a lonely hunter, out-take

Hayley in a Flesh Sequin Shift by Dan Jones.

Click for the complete fashion story...

Tuesday, 3 August 2010

in the night, a lonely hunter..

We promised a Marrickville, night shoot, fashion editorial. And we delivered! Well we delivered the shoot to several Australian Independent magazines, but it looks like our story was a little too RAW for print publication.. So here it is, shot on location in beautiful inner west Marrickville Sydney, 'in the night, a lonely hunter'. Thanks to all the team for their great work. We love it! 

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

In The Night, Fashion Photography

Title Page
As per shot 6.

Shot One - Credits,
Claire wears ‘Born in June’ jumpsuit; belt stylists own. Hayley wears ‘Elise Silk’ Black beaded V gown.

Shot Two
Claire wears ‘Born in June’ stripe cotton jacket and black sheer vest; Dan Jones fringed leggings. Hayley wears Elise Silk Black lace sleeve dress.

Shot Three
Claire wears beaded backless shift by Dan Jones. Hayley (lurking behind) wears Elise Silk Charcoal Gown.

Shot Four
Claire wears Elise Silk green ‘vintage’ dress. Hayley wears ‘Born in June’ Stripe cotton jacket and ‘Dan Jones’ fringed leggings.

Shot Five
Claire wears gold lace top and frilled black Jodhpurs both ‘Born In June’

Shot Six
Hayley wears Flesh Sequin Shift by Dan Jones.

Shot Seven
Elise Silk Green ‘vintage’ dress.

Shot Eight
Claire wears black pussy bow blouse and print drape jacket from Born In June under Ocean Ombre Silk from Tessuti Fabrics.

Team

Photographer, Kent Johnson
www.kentjohnsonphotography.com.au

Stylist, Simone Schilperoort
www.thestylemill.com.au

Hair & Make Up, Kaori

Models, Claire Levin,
Hayley Wilson at Platform,

Photography Assistant, Harry Perlich

Designers

Born in June
www.borninjune.com.au
64 Oxford St Paddington
NSW 2021Australia.
02 8094 9830

Elise
www.elisesilk.com
Elise Head Office
147 Norton St Leichhardt
NSW 2040 Australia.
61 2 8013 5417

Dan Jones
BAM Brick & Mortar Brands Pty Ltd
Level 1/151 Lygon Street
Carlton, Victoria 3053
Australia.

Tuesday, 18 May 2010

A Fashion Editorial Without Any Fashion..

So that means I need some help. Because lets face it, you can't really have a fashion editorial or even a fashion test for that matter without having some fashion. This series stems from a few inspirations but it really all fell (mostly) into place when I saw Manning Cartell's Summer 2010/11 range while perusing the RAFW shows online about 10 days ago.

Suddeny I saw fashion that I knew I could work into the Marrickville Urban Landscape and do it right at night. Really I think the only time it can work is at night. But it wasn't just the MC range, a few days earlier I had been talking with my friend and mentor Brett Hilder and had been thinking about Brett's love of Tina Mondotti, Mexico and his own take on all that is beautiful.

Night Crossing, A Fashion Editorial Without Any Fashion.

The Gateway, A Fashion Editorial Without Any Fashion.

The Appartment, A Fashion Editorial Without Any Fashion.

Outside the Club, A Fashion Editorial Without Any Fashion.

Shelter from the Storm, A Fashion Editorial Without Any Fashion.

The Shadow and The Wall, A Fashion Editorial Without Any Fashion.

I think the moody light and Hacienda, Art Deco, Breeze Block and re-made Federation architectural mash-up lends itself to a kind of David Lynch, Mullholland Drive mystery narrative. Film Noir, Hollywood glamour and the ingénue!

So to pull it all off I need some help. I need a stylist who can help pull it all together on the fashion front. Or some designers who have the garments that fit the bill. Or both. I think its a great project so rather than put it in a draw and wait... I am putting it out on the net, seeing what the great god Google can rustle up for me. So lets add some keywords. Fashion Stylist, Sydney, Editorial. Fashion Photography; and see if that helps. If you like the look of the shoot, please email me or give me a call. Lets do it.

Tuesday, 5 May 2009

Midnight Cowboy - Night Fashion

Our second Unpublished Fashion Editorial from last December.
Click images to view Large.

All garments are from the 2008 Graduate show
Ultimo TAFE Fashion Design Studio.

Green Night Fashion George St Sydney Australia

Black Leather Pants and Chrome belt by Chris Morro, Night Fashion on George St Sydney

Seem Pun Vee Hood Dress, Night Fashion George St Sydney Australia

Ryoko, Pants and Blouse, Subway entrance at Night, Night Fashion George St Sydney Australia

Melinda Johns Evening Dress, Night Fashion George St Sydney Australia

Vampire! Night Dress and Leggings, Night Fashion on George St Sydney

Crossing the road in a silver dress, Night Fashion on George St Sydney

Black Dress by Sarah Starky, Night Fashion on George St Sydney

Fashion Designers
Top to bottom.

Bianca Linton
Christopher Morro
Seema Pun
Ryoko Watanabe
Melinda Johns
Kathryn Beeson
Melanie Dumble
Sarah Starkey

Model Alli V @ Chadwicks
H&MU Kaori
Stylist, Lucinda Petroeschevsky - Mayer
Assistants, Guy Woolrych & William Siauw

If anyone would like to publish this story please contact me.
I am also on the look-out for a Sydney fashion stylist to assist me in putting together some more fashion stories for editorial submission.

Thanks to the great designers and my wonderful team who helped make this rather tricky George Street Sydney shoot happen.

Kent Johnson 0433 796 863