The whole story was shoot as black and white in-camera which is the way I shoot black and white (B&W). I just set the cameras setting to B&W so as I review the shots I am not seduced by the colour of the scene. Its the closest digital equivalent you can get to loading a camera with B&W film. Of course the 'miracle' of digital is that if you shoot RAW you can always get the colour back. First time round I worked on this shoot exclusively in B&W to maintain my vision for a B&W shoot. But as I went through the shots I did see a few of the RAW files 'POP' into colour in Adobe Bridge and off-and-on ever since I have wondered if a 'colour lunar landscape' version of this story might not work just as well albeit in a different way to the original B&W.
Last week I gave into my curiosity, going through the whole shoot again and making a completely new selection of shoots and working them up from scratch as the new colour edit. Only Elizabeth Di Marco's purple dress made the cut to both the B&W and colour version with a couple of frocks not making the transition to colour at all; they just did not work as colour on this shoot. However I now have two 'new' outfits appearing for the first time, the tan hooped dress and the bold B&W striped jacket and skirt.














Hair & Make Up, Kathleen Hendry.
Stylist, Lucinda Petroeschevsky - Mayer.
Assisted by Melinda Johns.
Models, Sarah Crawford & Anna Hill @ Platform.
Photography by Kent Johnson, 0433 796 863
Assisted by, Harry Perlich.
Shot on Location at Kurnell National Park Sydney Australia.
December 14 2008. Colour Redux, June 2012.
View the B&W horizontal scroll version here.
Fashion Designers
Elizabeth Di Marco
Sarah Starkey
Melinda Johns
louise Maniscalco
Lisa Catanea, Bianca Linton
Christopher Morro
Sarah Starkey; Ryoko Watanabe
Kathryn Beeson
Bianca Linton, Melinda Johns
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